Mamirnikuwi

Shows the Kakadu lands in Northern Australia and the people who live there, the Gagudju Aborigines, their story and their culture.

A story of resistance across generations, the power of family and the unrelenting struggle for justice in a country that remains in denial.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

A film collaboration between Quenten Agius (Aboriginal storyteller) and Kim Mavromatis (mixed media producer). Filmed on Ngadjuri country, Mid North and Southern Flinders Ranges region of South Australia. The film incorporates 10 years of archival material, shot with 8 different cameras, including 3 drones and a mobile phone camera.

Disobedience tells the David vs. Goliath tale of front line leaders battling for a livable world. Filmed in the Philippines, Turkey, Germany, Canada, Cambodia and the United States, it weaves together these riveting stories with insights from the most renowned voices on social justice and climate. Disobedience is personal, passionate and powerful - the stakes could not be higher, nor the mission more critical.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

CRUDE IMPACT is a powerful and timely story that explores the interconnection between human domination of the planet and the discovery and use of oil. This documentary film exposes our deep rooted dependency on the availability of fossil fuel energy and examines the future implications of peak oil the point in time when the amount of petroleum worldwide begins a steady, inexorable decline.

The Ripple Effect is a powerful documentary primarily centred around St Kilda legend and proud Noongar Nicky Winmar's generation-defining stand against racism at Victoria Park in 1993.

For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

Colin Jones is of Aboriginal, Polynesian and English decent. The Aboriginal side of his family are from the Kalkadoon and Nunuckle tribal groups. His grandfather taught him about Aboriginal traditions and the art of his people. Colin is now a noted Artist. At present Colin is studying for his Masters Degree in Humanities. Much of the history that he talks about in this video comes from his own studies and research, conducted over many years. Colin's reason for making this video is to explain from an Aboriginal point of view based on his historical data, what has happened to his people over the past two hundred years since the white man arrive in Australia.

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

The raw, heartfelt and often funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time.

“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?

Ray Martin goes on a grand quest to locate a mysterious outback rock formation he spotted and photographed from an airliner 37,000 feet in the air.

On June 21 2007, the Howard Federal Government launched an intervention into Aboriginal communities in the Northern Territory. It was one of the most dramatic policy shifts in the history of Aboriginal affairs. Relentless media attention focuses on ideological arguments for and against the Intervention, while the voices of those affected by the policy are rarely heard. For this film more than 40 Alice Springs town camp residents were interviewed in depth over the course of eight months to find out the answer to the question - is it working?

Young Aboriginal people who are traditional custodians in Victoria explore the Treaty process with questions, concerns and their opinions. Sharing their insights into what has been happening and what needs to happen.

Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.

In 1978, Tom Lewis appeared in the Australian feature film, The Chant of Jimmie Blacksmith. The life of the character he played was hauntingly close to his own, a young, restless man of mixed heritage, struggling for a foothold on the edge of two cultures. Tom's mother is a traditional Indigenous woman of southern Arnhem Land, his father a Welsh stockman who he never really knew. Yellow Fella is a journey across the land and into Tom's past, as he attempts to find the resting place of his father and to finally confront the truth of his most inner feelings of love and identity.

Across a 45-year career ‘The Oils’ helped shape modern Australia with anthems like “US Forces”, “Beds Are Burning” and “Redneck Wonderland”. Featuring unseen footage and interviews with every band member, alongside signature moments including the outback tour with Warumpi Band, their Exxon protest gig in New York and those famous “Sorry” suits at the Sydney Olympics, Midnight Oil: The Hardest Line traces the journey of Australia’s quintessential rock band.