Renato Polselli a Visioni Sconsigliate

In 1945, Allied troops invaded Germany and liberated Nazi death camps. They found unspeakable horrors which still haunt the world’s conscience. A film was made by British and American film crews who were with the troops liberating the camps. It was directed in part by Alfred Hitchcock and was broadcast for the first time in its entirety on PBS FRONTLINE in 1985.

Agrokor is the largest privately owned company in Croatia and a symbol of modern-day success of Croatian economy. The corporation headquarters is located in the tower of Dražen Petrović House, popularly known as the Cibona Tower, which represents one of the symbols of previous Croatian achievements from the late socialist period. In 2017 Agrokor’s business problems are disclosed – the losses amount to billions. In collusion between politics and economy, who is responsible for the breakdown of this corporation? Today Agrokor’s sign no longer hangs from the Cibona Tower.

The film is a fragmented representation of an artist's experience at an art gallery where Wolfgang Lehmann, as a part of his masterclass, shows 2 of his films and in-between, a film by Kurt Kren.

Ooni

Sawana - Reine des Fourmis

Rami Ram Kirani

L'usine rouge

Demain au boulot

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

This documentary delves into the lives of two people who have faced a gender identity disorder (GID), where the person’s sense of being male or female isn’t definite. These individuals have a strong desire to assume the physical characteristics and gender role of the opposite sex or also a person who has undergone a hormone treatment and surgery to attain the physical characteristics of the opposite sex is what is known to be called a “transsexual”. ‘I’dentity exposes two lives of different socio-economic strata in society as we try to string together their lives via them. It’s an attempt to understand this psycho-physiological turmoil that a transsexual goes through, be it approvals or ousting. The films aim is to explore the various choices these two individuals have in hand to deal with this condition and their life long struggle to “fit in” within the confines of a civilized society.

The Flight of the Condor traces the global circulation of the melody “El Condor Pasa”: from the Andes mountains to global metropoles; from Lima to Paris to New York, and back; from panpipes to piano and from symphony orchestras to the disco; from indigenous to popular music; and from world music back to national heritage.

A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.

The master collects silver parings, melts it down, created earrings, rings, bracelets, hair pins, stones inset into the silver, the master imparting the craft to his apprentices.

In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.

Along this goal to ski all fifty of "The Fifty Classic Ski Descents of North America", there lies a few cruxes. A few lines that stand out as the ultimate test for skiers. Lines that have seen one, maybe two, ski descents in history. One such mountain that is on that list is Mt. St. Elias in Alaska. Mt. St. Elias is a mythical, foreboding peak that jumps straight out of the ocean, 18,008 feet into the sky. It's renowned for violent storms that come straight off the northern pacific and slam into its icy steeps. It is unknown how many people have ever stood on the summit, but it is known that most people that try, fail. In May of 2021, Cody Townsend, Dan Corn, Nick Russell and cinematographer Bjarne Salen set out to climb and ski this Alaskan beast. This is the tale of their adventure.

An in-depth documentary on the behind-the-scenes of the 1990 Canuck cult classic The Final Sacrifice.

"Grow a Better Dallas" is a short documentary film showcasing South Dallas' Restorative Farms, a registered non-profit offering restorative justice and urban agriculture solutions to the "food desert" problem in South Dallas. Restorative Farms offers the ability for rehabilitation and therapeutic solutions to individuals with criminal backgrounds to come and contribute as employees to the farm. Restorative Farms was co-founded by Tyrone Day, who was falsely incarcerated for over 26 years.

Catch the spark after dark at Disneyland Park. And say farewell to one of the Magic Kingdom's most celebrated traditions - The Main Street Electrical Parade. Where else, but in The Main Street Electrical Parade, could you see an illuminated 40-foot-long fire-breathing dragon? And hear the energy of its legendary melody one last time? It's unforgettable after-dark magic that will glow in your heart long after the last float has disappeared.