New

A stark portrayal of life among a group of heroin addicts who hang out in Needle Park in New York City. Played against this setting is a low-key love story between Bobby, a young addict and small-time hustler, and Helen, a homeless girl who finds in her relationship with Bobby the stability she craves.

‘SHAILA’ is a Hindi-language musical romance film produced by SUNIL SHARMA and written and directed by SAKI SHAH. The film star Rohit Choudhary and Sara Khan as Kunal and Shaila. Its an emotional journey that captures the essence of finding love in most unexpected places. ‘SHAILA’ takes you on an emotional journey through love's tender moments and heart-wrenching trials, set against the stunning backdrop of one of the world's most beautiful regions.

The Catholic priest Hell takes the orphan Annerl into his house as a maid. This soon gives rise to wild rumors in the town. To put an end to the gossip, the young woman decides to get married. Her old childhood friend is the chosen one.

Vinayachandran and Sindhu are an ideal couple, who are so fond of each other that the greatest thing that they love, according to their neighbours Nambiarettan and Shoshammetathi. Vinayan has just joined a reputed public school as a teacher of Malayalam. The fact that he wants to teach Malayalam is projected as a politically correct stand, which Vinayan promptly starts elaborating with his unconventional ways of teaching.

After a one-night stand a couple is faced with the terrifying possibility of what they really want.

Kunjoonjamma Thomas is a widow living in the village all by herself. People always make fun of her because she is grumpy and depressed due to the deaths of her husband and her only child. Children irritate her by ringing her door bell and running away. One day, her granddaughter Girly, who she had never met, visits her. Initially, Kunjoonjamma does not like Girly, but they soon become close to each other.

A doctor works in a clinic in a village run by his sister's father-in-law. When he meets a villager, he realises that he and his gang had ragged and murdered his son at the medical college's hostel.

On the lam, criminal Alonzo hides in the circus as The Armless Wonder—a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

A despairing clown suffering a broken heart and a self-indulgent count who uncontrollably laughs learn to help each other with their problems, but both fall in love with the same young woman.

After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.

¡Tango! follows a formula established by Carlos Gardel with films such as Luces de Buenos Aires (The Lights of Buenos Aires, 1931) in which a melodramatic story is interspersed with tango songs. However, the film had less dialog and more music, making it more like a musical revue. This format would be copied by many subsequent films. The plot is derived from tango songs. Many of these songs tell of the seduction of an innocent slum girl by a rich man who promises her a glamorous life, but who abandons her when her looks fade. The stylized and sentimental plot of ¡Tango! revolves around a young man who is abandoned by his girlfriend for an older rich man and is heartbroken. The film follows his misfortunes.

Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.

The lives of a matriarch, her two sons, and her niece are never the same again as they come to terms with an indiscretion in the family. A pivotal decision is made and a downward spiral ensues wherein the outcome can be no less than earth-shattering.

In 1840s New York, the uneventful and boring days of the daughter of a wealthy doctor come to an end when she meets a dashing poorer man — who may or may not be after her inheritance.

After experiencing a mass shooting that took his wife's life, Nolan now suffers Agoraphobia. Pummeled by fear, Nolan refuses to leave the confines of his home. However, when the laws of time and space begin to do strange things within his apartment's walls, he must battle his fears or suffer a fate worse than death.

Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.

Agata is a self-fulfilled woman who loves life. She is visually impaired. Robert is an acclaimed photographer. He has everything, yet feels as though he has nothing. Their meeting will change everything. Together, they will face their past and their own limitations, discovering that true love is born from acceptance and the courage to be yourself.

Short experimental movie about sea, love and trust.

Sometimes I Feel Like Dying (2019) is an Argentine short film directed by Talo Silveryra and starring Maia Reficco.

A man obsessed with motivational and right wing culture war videos goes on a hollow road trip of discovery.