헤엄치는 새
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
After a diving excursion in the middle of the ocean, Lindsey is viciously sexually assaulted by Bruce, her instructor. She fends him of and they fall overboard into the water. Bruce grabs her and sinks her to the depths of the ocean. In this spiral of violence, she has no way to breathe.
A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.
Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.
A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.
A person spends most of their life mourning the things they have lost, unable to move on. They frequent a silent but helpful medium and embark on a spiritual journey where they linger among their past lives.
Lady is an artificially intelligent virtual assistant that is granted sentience and has to cope with the consequences of human emotions, the good and the bad.
Experimental middle school short
2011 remake of 2009's experimental short Pending Title
A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.
Emily has a doctor's appointment. Sorta. Kinda. Not really.
No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.
Mountainous images accompanied by the song "Suzanne" by Leonard Cohen.
TRAJECTOIRE
A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
Megan, an aspiring model living in South Florida, reflects upon her dreams for the future and her turbulent relationship with her mother on her 16th birthday.
A microscopic view into American youth in suburbia through the eyes of Robert, a young man who becomes fixated on his own identity after moving back to his small Texas town.
Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.
A visual and auditory inferno