Surveillance

how i prefer to remember things

A girl struggles with a dissociative episode in her bedroom.

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

Sklizeň

Mrtvý les

Quatro Linhas

Ontmaskerd

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.

A mother consumes abnormal objects in the hopes of granting her child desirable traits. While she has good intentions, her actions may not be good for her baby.

The shot’s eerily static, but the house isn’t quite right. There’s no mold in the wood, maybe it’s the bug!

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.

The portrayal of a gargantuan baby splashing through silver paint.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cruelty.

Woman chasing projected images of typical screensavers such as idyllic meadows and mountainscapes. These images are embellished by design programs to be more attractive to appeal to our primal desire to be outside rather than in front of a computer or in ugly urban landscapes. Even if she were to ever catch up her object of desire, she will find it never existed in the first place, and she has been chasing the unattainable.

A surreal, low-budget odyssey through time, space, and toxic relationships.

In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.