Azaad

Directed by Mohammed Hussain. With Helen, Satish Kaul, Dev Kumar, Rajendra Nath

An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.

In a bid to locate a missing employee, Jackson, the Central Bureau of Investigation assigns Agent Gopi to locate him. Gopi accepts this assignment and must battle women, venomous snakes, gangsters, kidnappers, a robot-human, as well as Priya Varma - who believes that he killed her father, Dr Varma, Neelam - who is determined to seduce and then enslave him, and the unknown and mysterious head of an organization simply known as S.S.O.

Anmol is made to work as a maid in her own house by her step-mother and step-sisters. Later, a singer falls for her and decides to free her from her family.

Raja is a small-time smuggler. His sweetheart, Priya does not approve of this, and convinces him to give up his smuggling activities, and turn the information over to the police. He does so, only to find that he has been framed for a murder he did not commit. When he decides to entrust himself to the justice of the courts, he is convicted of murder and sentenced to jail. In jail he encounters more problems, and needs all his wits to stay alive. Back to Priya; Raja's former smuggling colleagues, including corrupt police officers are openly harassing her, and no one seems to be able to look after her. Raja must get out of jail to find out who has framed him, and who is the king-pin behind the smuggling ring.

Two retired colonels are at odds with each other because one of them had been a traitor to the country. The grandson of the traitor and the grand daughter of the other colonel fall in love but have to surmount a number of obstacles

Prantabh and Anand, associated with a news channel in Delhi, are in search of a big scam to prove a point to their senior. A dead body accidentally lands up in their car.

Praveen Tewari, a Bank watchman, resides in Kolkata with his wife Shikha and daughter Tukai. His salary is usually stalled for months like a number of government employers. When the Corona pandemic emerges, everybody is buying and wearing masks, except Praveen. He simply denies wearing one, and regularly finds various propagandas from a YouTube channel. He has been so extensively tortured by the people nearby that he even dreams of people forcing him to wear a mask. The story takes a twisted turn when he gets into an argument with a customer which ultimately leaves him jobless. Broken and dejected by the family and society, Praveen turns alcoholic along with a bus conductor who eventually denies providing him more alcohol unless he wears a mask. Haunted with the desire to consume more alcohol, he puts on his mask.

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

An expert dancer Munna who idolizes the king of pop, reluctantly tutors a gangster until their developing bond gets disrupted by their common romantic interest towards the same woman.

Indu’s husband, a government employee, believes in using the state of Emergency to advance his career, but a moral and ideological discrepancy sets her on a own path.

A government scheme sees newly widowed Santosh inherit her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is found raped and murdered, she is pulled into the investigation under the wing of charismatic feminist inspector Sharma.

Ajay (Mithun Chakraborty) and Amar (Ayub Khan) were separated from their sister (Simran) and dad at a young age. Now grown up, they are con men, and on the look out for Dhanraj and Jagraj who they suspect killed their dad and sister. Typical Hindi flick with lots of action, drama, emotions and fights.

A vain, self-righteous nobleman falls in love with a village girl and tries to transform her into his version of the ideal woman.

Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.

A prince disguises himself as a common man to win the love of Seema, a middle-class woman. Complications arise when his true identity is revealed, testing their love and trust.

A short film on eve teasing by Anurag Kashyap, it talks about issues related to gender sensitization and equality of genders.

Two prisoners, Jarnail Singh and Tarsem Lal, escape from prison on the day of Baisakhi. However, their troubles increase when they learn that they were to be pardoned by the jail minister.

Gourishankar is an eyewitness to the murder of an honest customs officer Sudarshan Kumar who dared to defy Jethia, the kingpin of an organization of cocaine smugglers called "Shangrila". The smugglers implicate Gourishankar in a false theft charge and his wife dies of shock. The evil organisation kills his son and kidnaps his daughter. Gourishankar only mission in life is to find his daughter and take revenge on Jethia.

Nisha Verma's relatives wish that she would marry her cousin in order to keep the wealth in the family, but instead, she falls for an unapproved man named Ramesh, who is later accused of murdering her father. Having witnessed her lover at the scene of the crime, Nisha testifies against Ramesh, who's sentenced to death. But she's plagued by questions about why Ramesh was in her house and whether, in fact, he was responsible for her father's death.