That Day After Everyday

Hawaa Hawaai is a story of the triumph of the human spirit; friendship and enjoying the journey of making ones dream come true. Arjun moves to the big city along with his mother and little sister. Out there he discovers a hidden world of in-line skating through coach Lucky, who mentors kids to become skating champions. While Arjun starts nursing the dream to learn skating under Lucky, his four friends get together to make this dream come true for him. In this endearing story of hope and aspirations, will Arjun's dreams take flight?

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

A poor road worker sets off a chain of events that bring karmic balance to seven very troubled strangers.

Sikander, a local thug, sets out to exact revenge against Sher Khan, who killed his mother. However, Inspector Boga is on a mission to bring Sikander to justice.

Suresh, the son of a wealthy lawyer, refuses to acknowledge his girlfriend Malati's child as his own. Malati hires a lawyer who fights for her rights and takes Suresh to court.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

Rautu ki Beli, an idyllic town in hilly north India, has been virtually crime-free for over 30 years. The inhabitants are bewildered when a school warden is found dead and the police begin investigating – under the leadership of Inspector Negi. Nothing is as easy as it seems when societal stigma, small-town laziness and ‘locals in denial’ get in the way of a seemingly straightforward case.

Upon realizing the extent to which women are affected by their menses, a man sets out to create a sanitary pad machine and to provide inexpensive sanitary pads to the women of rural India.

Boothnath vows to redeem himself when spirits tease him, and searches for a child to terrify. He befriends Akhrot, a slum kid, and helps him take on the country's most powerful politician.

Prior to fighting for her country, Kirnay, a withdrawn boxer must fight the battle for her freedom.

Remake of the Telugu film Pratighatana (1986). The film deals with politics-criminal nexus and a college lecturer who takes them on, even after she faces public disrobing.

Based on Sr. Rani Maria, this tale depicts the trials and tribulations of a woman who rose above the boundaries of her religion, realized the universal oneness, and committed her life to women's empowerment.

Hailing from Aarah in Bihar, Anarkali is an item girl, famous for her vocals, suggestive dance moves and innuendo laden lyrics. She enjoys her stardom and revels in the lusty glances. The singer acknowledges that she is no saint and even makes peace with the hatred she evokes among civilised society but what she refuses to tolerate is being exploited in public by an influential politician.

Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.

Hum Tum Aur Mom: Mother Never Misguides

Abhimanyu Kaul - a young, independent, Games Developer, living in Japan and the love of his life, Anwita Chauhan - a bubbly, passionate and full of life, summer intern. Their happy and content life faces the test of time, when blood ties and the pressure of being born into the first family of India tears a young Abhimanyu between his love for Anwita and a promise made to his dying father, the Prime Minister of India. Being a public figure, by reluctantly accepting to represent the governing party, much against his own wishes and at the cost of his private life, is a double-edged sword that Abhimanyu must walk on.

Gyara Hazar Ladkian is a 1962 Indian Hindi-language romantic social drama film directed by K. A. Abbas. The film was co-produced by the poet Ali Sardar Jafri, who also helped co-write the story with Abbas. Produced under the Film Friends banner, it had music by N. Datta. The director of photography was Ramchandra

The film revolves around the life of a rich man and his son, where the son lives happily with his wife, but after giving birth to a child his wife dies. The story takes a turn when he starts falling for another woman.

The film, which won the 1988 National Film Award for Best First Film of a Director for its "excellent exploration of complex philosophical theme for the first time in Indian cinema," is set in the Buddhist town of Sariput in the desert of Central Asia in the 1st century B.C. The town is struck by a devastating sand storm that leaves behind only four survivors: two monks and two children taking refuge in the monastery. Twenty years later, the monks have become old, while the boy and the girl have grown and fallen in love. The jealous monk deceitfully persuades the boy into becoming a monk, yet the girl wins him back, as a result both are expelled from the monastery, and that is when the sandstorm strikes once again..

Damul (Bonded Until Death) highlights the ill effects of the Bonded Labour System while narrating the story of a bonded labor who is left with no choice but to steal by his landlord.