The Swedish Scarf

FRONTLINE investigates the roots of the criminal cases against former President Trump stemming from his 2020 election loss. With the presidential race for 2024 underway, veteran political filmmaker Michael Kirk and his team examine the House Jan. 6 committee’s evidence, the historic charges against Trump and the threat to democracy.

With a colossal cigar dangling from the corner of his mouth, a libation in hand, and an unmistakable disdain for his political adversaries, Roger Stone emerges as the quintessential ally to Donald Trump. Revered as a right-wing powerbroker, Stone's influential journey traces back to the era of President Nixon, a legacy inked onto his own back. In a film marked by unparalleled access, Christoffer Guldbrandsen captures the tumultuous final months of the Trump administration, centering on the heart of power and climaxing with the unprecedented storming of Congress. Guldbrandsen finds himself amidst the chaos as Trump supporters converge on Washington, witnessing firsthand Roger Stone's strategic retreat from his hotel suite as the 'Stop the Steal' campaign spirals into a riot. A Storm Foretold – Roger Stone and Die unfolds the narrative of a once-established political party metamorphosing into an anti-democratic movement, where impassioned rhetoric evolves into tangible violence.

After a six-week trial, four men have been convicted in the United States in a high-profile case connected to the storming of Capitol Hill in Washington two years ago. The four members of the far-right Proud Boys group were convicted on a charge of seditious conspiracy, defined as a plot to overthrow the government. US Prosecutors have now charged more than 1,000 people with offences in relation to the January 6, 2021 attack, but there is little agreement in a bitterly divided America about exactly what happened on that day. The dispute threatens to poison American democracy. The BBC's David Grossman was there as events unfolded and filmed the Proud Boys and spoke to their leaders. He assesses what this infamous date means for the United States.

As the nation grapples with the echoes of January 6, this documentary provides a crucial, unvarnished perspective on that pivotal day. This narration-less documentary shows events leading up to and including January 6, challenging viewers to confront the fragility of democracy and reflect on our collective responsibility to protect it.

The crack team of journalists at The Babylon Bee turn their powers of investigation toward the most deadliest day in all of human history: January 6, 2021. They hunt down the dangerous criminals who stormed the Capitol, visit the haunting sites where incalculable numbers of people died on that fateful day, and ask experts really smart questions. You will laugh, you will cry, you will cower in terror at the monsters who almost ended democracy once and for all. January 6: Never forget to remember.

Lil Brick sits down with THE LINE for an Autocomplete interview, and quickly learns that this interview is not everything that it seems. What is his favorite color? What is his most traumatic memory? Where was he on Jan 6th? To his great reluctance, we soon find out.

Baratometrajes 2.0 is a feature length documentary on low-budget films made ​​in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like "El mundo es nuestro," "Mi Loco Erasmus" or "The Cosmonaut" are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.

The last representatives of Mixteco culture inhabit a village in the Sierra Madre. Deprived of their identity by modern civilization, they are facing an even bigger threat: a landslide that may destroy the village during the next torrential rains. The mayor tries to prevent the disaster. He wants to invite a geologist, so that the approaching danger can be officially confirmed. But no help is coming and the inhabitants must simply wait for the disaster.

From Mont Blanc to Mount Elbrus, experience the peaks from the breathtaking perspective of skyrunner Kilian Jornet and his friends.

Some people consider them the best part of the movie going experience - the Movie Trailer. Take a look at the evolution of the "coming attractions" from simple silent film splices, through the template style of the Golden Age of Hollywood, through Auteurs and finally into the Blockbuster era.

This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA

In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The film commemorates these events. - MoMA

Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.

Legendary rumba musician Alberto Zayas serves as a guide for this vibrant journey through Cuban musical history and culture. The short features interviews, footage of impromptu street performances, and studio recordings.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.

A closer look at a taboo subject in India: menstruation and how it is embedded in Hindu rituals and beliefs, dating back to ancient times. A short docu-fiction in the enigmatic, associative narrative style typical for this award winning South Indian director. This film by Tiger Award winner (in the category short film) contemplates in a very exciting visual manner on one of the taboo subjects in India - female menstruation and its connection with Hindu rites and beliefs. While in Brahmin Orthodox culture the period of menstruation is considered to be impure and women are not supposed to cook or touch any food prepared for other family members, the main character in this film evokes old menstrual rituals and places them in ancient Indian culture.

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.