Declassified presents the first documentary about Britain's complicity in the Gaza genocide, exposing Keir Starmer's shady spy flight missions for Israel. What does a British base in Cyprus have to do with Israel's genocide in Gaza? Declassified travelled to this Mediterranean island to investigate the hundreds of spy flights Keir Starmer has sent over Gaza, that coincided with Israeli airstrikes and the killing of British aid workers We go where the British media and military experts have refused to look and ask whether this scandal could put Keir Starmer in The Hague.
Five women – Palestinian, American, Muslim, Christian, and Jewish – tell stories of humiliation and harassment by Israeli border guards and airport security officials.
Ján Smrek menej známy
Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.
The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.
Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
Once described by the press as "one of the most controversial figures on the Australian art scene", avant-garde poet and playwright Christopher Barnett achieved a level of notoriety in the Melbourne underground theatre scene during the ‘70s and ‘80s, before self-exiling to France. He remains there today, running an experimental theatre lab working with the marginalised and underprivileged, applauded by the establishment (including former French Prime Minister Jean-Marc Ayrault) and faithful to his belief that art can change the world. These Heathen Dreams is an intimate portrait of Barnett's life and revolutionary philosophy. Combining archival footage dating back to the ‘60s with contemporary observational documentation and text from Barnett's writings, it is a poignant and inspiring study of the power of both art and political activism.
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
The film explores the first Palestinian Intifada against the Israeli Occupation in the West Bank and the Gaza Strip. It shows moving images of resistance against the Israeli occupation, while exploring the steadfast determination of the Palestinian People, confronting a modern army with stones. The film highlights the active and important role of women in the intifada.
San Francisco's North Beach in the 50's - A mix of jazz, poetry and art - The Beach recreates the atmosphere that prevailed through first-hand accounts from the actual "players" along with photographs and artwork from that vibrant time.
In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. "Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
In 2021, the Sheikh Jarrah neighborhood was attacked. The war lasted for 11 days, during which all forms of weapons were used. This left many victims, along with a great loss of buildings and infrastructure. But, maybe more importantly, it created deep psychological effects on all who lived through it, many of them children
Isla Negra: Neruda y el mar
Unspoken or إحكِ is about Palestinian spoken word poet Farah Chamma who, at the age of 17, became an online sensation after her poems went viral. Today, Farah finds her poetry at odds with the world she lives in. The film shows her conflict as she struggles with self-censorship and keeping her poetry authentic and real.
An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
This documentary, filmed after October 7, places recent events in context and retraces the extraordinary history of this region to shed light on the present, interviewing actors and witnesses to this conflict: Islamists, Jewish nationalists, imams, rabbis, intellectuals, urban planners, soldiers, etc.