Gassy's Gas 'n Stuff

British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

The Karugamo High School Baseball Team has not been doing well. After losing badly to the Eagles, many of the players leave, and the team now has only eight players, one too few to play a game. Going against his principles, the main character Harumaki Shunpei decides to buy a baseball robot. However, since he does not have enough money, he ends up buying the maid robot named Azusa. Even though Azusa has a warm heart and strong determination, it doesn't appear that she stands a chance against her adversaries who were top-of-the-line baseball robots. The team's only hope seems to lie in a secret buried within Azusa's clouded past.

When Grizz, Panda, and Ice Bear's love of food trucks and viral videos get out of hand, the brothers are now chased away from their home and embark on a trip to Canada, where they can live in peace.

Hinako is a surf-loving college student who has just moved to a small seaside town. When a sudden fire breaks out at her apartment building, she is rescued by Minato, a handsome firefighter, and the two soon fall in love.

Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.

Untitled / Aubrac

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.

A short day in the life of a child living in poverty.

"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller

Abstract horror short about a girl's face.

Jimmy wakes up only to find out he got fired from his job. That's when his best friend, Rusty is there waiting outside his house to cheer him up and have some fun like the good old days, before responsibilities. Follow them in this slice of life indie comedy as they try to figure out what to do through out the day. Tinder, comics, parties, it's just another day for these undetermined friends.

In Toaru Kagaku no Railgun T Mikoto Misaka and her friends prepare for the Daihasei Festival, a seven-day sports competition between different Esper schools, which, of course, also include the Tokiwadai middle school. Misaka and all other students of Tokiwadai are highly motivated and ready to do their best in the upcoming competition. However, all the fun ends, when another dark secret of the Academy City of Science and Technology is uncovered.

A romantic anthology with five episodes featuring five love stories in Japan, United States, Norway, the Island of Saipan, and the one in Rjukan Norway, where the sun is brought down where the can't shine by large mirrors.

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.

Operating out of the movie capital "Nyallywood," Pompo has been shooting one B-grade entertainment flick after another that anyone would enjoy. One day, Pompo's "movie buff" assistant Gene spots a new script written by Pompo and is moved by its exquisite story. In a fit of passion, he proclaims, "I want to see this as a finished work in theaters as soon as possible!" However, Pompo tells him, "So you shoot this film." Thus, Gene takes on his first directing gig. Meanwhile, Natalie, an ordinary girl who just arrived in town with movie actress dreams, has been discovered by Pompo...

Rolling animated images of kaleidoscopic heads, skeletons and other absurdities. Abstact, surreal and darkly comic. This short was Run Wrake's (as J.M. Wrake) graduation film from The Royal College of Art, 1990

Coiling and turning orbs travel through the stratosphere. Birth and transcendence short animation from Run Wrake and Howie B.

The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making the film and completed it in four months.This film is based on a very simple idea: the increasingly varied the sounds, the greater is the number of creatures. I wanted to rid myself of the frustrating experience of making Devour Dinner, which was highly unsatisfactory from the viewpoint of the movement in the film. My intention in this film was to fill the screen with chaotic movements.