In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
until now, there's conflict on what 4-letter word to use. i grieve. i grieve unopened doors that were closed too soon.
Pour ne pas oublier l'invisible
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
Groter dan je bent
Marcel, your mother is calling you
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.
Ego Sum Petrus
Un spectacle interrompu
A spring night is a poetic film which is based on the motives of the poem by V. Lugovsky. The film is devoted to the theme of fidelity to the battle traditions of revolutionary past, to the theme of human happiness the sense of it in the battle for high ideals.
Rubén tries to describe the color blue as "The color of dreams, of art, of the ocean and of the firmament", thereby unleashing half a century of poetry.
Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.
The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.
Réne Manzor's debut short, a surreal story about a tramp trying to build a road through the desert.
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.