Keny-atta
A Romany woman travels from Praha to her home in Transylvania
A multimedia sex-ed video about life and love in a world where humans have corkscrew penises and corkscrew vaginas.
Through meticulous cut-up, collaging and stop motion, Nico Vassilakis makes words dance across the screen, moving our eyes in all different directions. This video poem is dynamic and colourful, and brings into question what happens when we 'see' a word - where do we distinguish between the image a word forms in our minds, and the image it forms on a page or screen?
The movement of colourful dots, streaks and scratches embellished directly on a film roll synchronise with the cheerful jazz music by Johnny Dodds and the Chicago Footwarmers.
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.
Voir le soleil se lever dans la lune
An ancient king takes so long to build his palace it becomes his mausoleum. He recalls days of his life both cold and hot – unquenchable longing for power, insatiable desire tout court.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
An animated poem about the fleeting nature of happiness.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Groter dan je bent
Marcel, your mother is calling you
La vita nuova
Un spectacle interrompu
Rubén tries to describe the color blue as "The color of dreams, of art, of the ocean and of the firmament", thereby unleashing half a century of poetry.
In her recent films, Geiser has been exploring the possibilities found in merging video texture with film, creating a kind of deep, ambiguous space, a suggestion of “the floating world”. In ULTIMA THULE, gravity fails, land and sky lose their historical meaning. A small silver plane navigates an ultramarine storm, flying over barely-glimpsed hills, an unlikely ferry to ”Ultima Thule”: the farthest point north, the limit of any journey. The seduction of immersion in blue is too strong to avoid, the land fills with water, and time loses its line.
An artistic short film directed by Stan Vanderbeek.
A film-poem created for Counterclock Journal's 2023 Patchwork: Film x Poetry fellowship, featuring an original poem by Mackenzie Duan and animation by Evan Bode.