Seven

El espíritu del animal

A troubled man returns home for the last time.

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.

A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.

Moses searches for history into palletes.

Welcome Home.

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.

the emotional rollercoaster journey of a wood cutter when nature is paying back.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Dernière St-Valentin

The first step is taken inward and in silence.

Nadveren

¿Por qué la gallina cruzó el camino?

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

A neurodivergent man is stuck in the web of an abusive relationship, unable to free himself from his lovers grasp.

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.