The Chaos She Left Behind

A young man has to embark on an eye-opening journey despite concerns about a particular family member's corrupt behaviors.

A young mother, Mildred, doesn't know that her husband Walter is cheating on her. One night she attends a party with a friend of her husband's, and the man gets drunk and begins groping her when they get home. Her husband sees this and uses it as an excuse to sue his wife for divorce. In the ensuing trial he wins, due to fraudulent evidence, and gets custody of the child. Complications ensue.

Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.

A successful but also hedonist young man gets afflicted with HIV by accident, eventually being abandoned by everybody around him. He becomes a problem for society until meeting another unfortunate person like him.

Keka is a virtuoso housewife who suffers because of the lethargy of her marriage with Baja, a concerned railway worker. To make things even worse, Keka is being seriously courted by Ilija, a handyman who is so clumsy that he produces apocalypse wherever he shows up. After Baja finally becomes aware of Ilija's intentions and after the two of them demolish Keka's home as a result of their clumsy showdowns, Keka decides to leave both of them and to go on a trip to the only place where she felt some happiness - to a small coastal village where she and Baja went on their honeymoon... However, things start to complicate because Keka falls under the scrutiny of Lujo, an untypical lonely fisherman-flirter. Baja and Ilija decide to go on a trip, to embark on the biggest adventure in their lives and to prove their love to Keka...

Sigga and Didi are sisters who lost their mother when very young and were separated. Since then their lives have taken very different paths and their characters have come as different as black and white. When they meet in their twenties the pair take a run through Reykjavik, ripping off drug smugglers and dealers and partying while escaping from the thugs.

"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

An abused wife leaves her husband, takes her child away and goes to live in a car.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Lydia Kowalenko is fired from the pharmaceutical company where she has worked for many years because she refused to help cover up the use of a dangerous chemical. Her daughter Katja, however, has no scruples and risks an operation which is more beneficial to her own medical research than to the convalescence of a young patient. Then Katja's only son dies after a car accident. Was he too the victim of a career-minded doctor?

Fariaho

The owner of a Scottish castle discovers that it is haunted by the spirit of a beautiful woman. He decides to use the ghost as a tourist attraction for his castle

Fleur Lafontaine

Simon and Jota are two young scoundrels who hit the street every day to eke out a living. Each one wants what he lacks. Simon cannot stand being surrounded by his large family all the time. Jota wants to stop leading a lonely life and will do his best to have his own family.