Glastonbury the Movie in Flashback

A documentary covering the 2013 Gathering of the Juggalos in Cave-In-Rock, IL.

Punk bands in Korea get invited to biggest hardcore punk festival in Tokyo. This movie shows how one of the loudest and most active punk bands in Asia live and deliver message very closely and pleasantly.

He promised supermodels and yachts, but delivered tents and cheese sandwiches. How one man engineered a music festival disaster.

One year after discovering the Burning Man Festival, filmmaker Joe Winston and his pals return to the desert. "What this party really needs is a comfortable living room setting, where people can watch TV and drink beer," they proudly declare. Unfortunately, creating the "Couch Potato Camp" over 50 miles from the nearest hardware store turns out to be harder than they thought...

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Dette er den første norskproduserte musikkfilm, tatt opp i Holmenkollen søndag 17. juni 1973. Med.: Aunt Mary, Sigbjørn Berhoft Osa og Saft, Hvalsøespillemendene, Merit Hemmingson och Folkmusikgruppen, Prudence, Splash, Savage Rose, Culpeper's Orchard, Skin Alley, Mungo Jerry, Pretty Things, Burken och Rockfolket og Popol Vuh. Ideen bak Ragnarock er blant annet å vise sammenhengen mellom folkemusikkrytmer og rockerytmer. Derfor er det fortrinnsvis skandinaviske grupper som er med - og i filmens åpningssekvens spilles både norsk, dansk og svensk folkemusikk. Konserten foregikk søndag 17. juni 1973 ved Holmenkollbakken.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Hudební jaro

Techno, Drogen und Komerz: Das Tomorrowland Festival

Explore Woodstock 99, a three-day music festival promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

Join Louis Tomlinson as he undertakes his most ambitious project to date, The Away From Home Festival 2021. Following the postponement of his World Tour in 2020, Louis has announced plans to launch his own free festival in London to celebrate the return of live music in the UK. Directed by Charlie Lightening, and featuring unprecedented access, a fly-on-the-wall short film showing Louis and his team as they plan, and prepare for this momentous event. From early planning, through to the day of the show, and including unparalleled behind the scenes footage, follow Louis on the journey to The Away From Home Festival. Then watch as Louis and his band take to the stage performing a full headline set from London's famous Crystal Palace Bowl, their first show in front of a live audience for 18 months. As the show ends, follow backstage as Louis, his band, crew and team celebrate a return to live music.

An exclusive documentary on the GlamCocks camp at Burning Man Festival.

In 2007 an indiepop music festival was born in the unlikeliest of settings - a heritage steam train site, Butterley Derbyshire. Bringing together passionate characters from two very distinct worlds this affectionate portrait is told from the point of view of the retired volunteers that run the locos who have "steam in their blood" and don't really know very much about "this indiepop music".

Bodø Hardcore Festival

Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.

This was the band's second performance at the music festival and their first since the success of 'Nevermind' had elevated them to the position of what magazines called the "biggest" rock band in the world. It was also sadly their final concert in the United Kingdom.

Capturing the sights, sounds, and magic of Carlton Haney’s 1971 Labor Day Festival in Camp Springs, North Carolina; a three-day outdoor festival—the first of its kind—featuring bluegrass veterans and future stars alike sharing the primitive wood and cinder block stage. More than just capturing one of the largest bluegrass festivals of that decade, this documentary is also an interesting mixture of live performances, interviews, impromptu jam sessions and crowd footage of live music set in a small town surrounded by the now long gone red clay and tobacco shacks of North Carolina.