Old Women

A short documentary about my lovely aunt Lili. The film shows just a small part of her life. She is always on the lookout for luck, whether in love or with scratch-off tickets.

Journey to Kailash

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the public eye and was always surrounded by a crowd of admirers. With this short documentary, filmmaker Wytse Koetse shows how his aunt spends her days nowadays, lonely in her Amsterdam home.

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

“Behind time, time comes” interlaced with folk songs, narrates the rhythms of rural life, where time and its weight, shape and define the landscape, as well as the lives that compose it. Accompanying the reminiscences of a group of women from the parish of Dornelas, Sever do Vouga, Portugal.

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.

Back in the days, Choi Maggi an old lady accepted Kim Chunhee as her husband’s second wife to continue the family tree as she has lost her two sons in the past due to measles and typhoon. This story is more dramatic than any drama because even after the death of their husband they live together. The director does a good job in expressing the lives of these two old ladies without any exaggeration. The daily life and relationship of the two ladies eating, washing and working is described in a very detailed script. Through this film you will feel the eager echo of the proposition of life that exceeds the standard of happiness and misfortune. (KIM Youngjin)

Drei Frauen

About an elderly woman in a country house, spending time with her only companion, a goat.

A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.

Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.

The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of "Green Jail," the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.

Argemira

Dom starych kobiet

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.

85 years old and never married, Shizu has spent the past 3 decades living in one "Danchi" - the Japanese word for public housing - and filling it with the lifetime of souvenirs that have always kept her company. When the danchi is scheduled for demolition, Shizu and neighbors must say goodbye to their homes, and move into newer danchi that are too small to hold all of Shizu's mementos. This intimate documentary captures Shizu's sense of humor, and profound nostalgia, as she sorts through relics of her past, and chooses which memories she must fit into her new home, and which ones she can let go of.

A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.