When a rural village in the Philippines starts to vanish, leaving only carabaos as witnesses, a child plans out a journey to locate his lost father, revealing a secret that defies belief.
A young retreat director residing in a remote retreat house forms a bond with a student with their shared trauma. But with her insatiable hunger, a chilling night begins.
Through archival interviews and footage, George Michael and Andrew Ridgeley relive the arc of their Wham! career, from 70s best buds to 80s pop icons.
Presentation of films that failed in various ways. At the beginning, there is no image other than an audio track, later an overexposed, underexposed, or otherwise failed image.
Der Olympia-Mord: München '72 - Die wahre Geschichte
In 1997, a group of lawyers and activists prosecuted rape as a crime against humanity. This is the story of their fight for the first conviction.
This lively satire uses animation and a pseudo-documentary style to depict Canada's search for a national identity. The National Scream explains, amongst other elements of Canadiana, how and why the beaver became the country's symbol.
The documentary shows the 450 years of the rich history of the city of Rio de Janeiro and its profound transformations, using archive images, 3D simulations and testimonials.
Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
Documentary feature about Czech director Jiří Menzel, featuring Menzel himself as well as Miloš Forman, Emir Kusturica, István Szabó and others.
Born in Armenia, Arshile Gorky fled the Turkish persecution and arrived in America in 1920. One of America`s most poetic and powerful painters, Gorky`s influence on his contemporaries gave birth to the New York School of abstract expressionist painting. In rare glimpses into his studio and through interviews with family and friends, this film recreates Gorky`s world, examines the progression of his painting to the later, deeply felt work, that suggests the beauty and anguish of his lost Armenian homeland.
Every day, Joëlle meets her retired friends on Bain des Dames’s beachin Marseille. Like in an open-air theater, they laugh, talk about love, sex, aging bodies, and remake the world with the freedom of those who have nothing left to prove.
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
A hybrid documentary about the decommissioning of a nuclear plant in Scotland. Concerned with landscape and time, myth and technology, the film explores the nature of ruins, and asks what environmental scars our generation will leave behind for the future.
We follow Desmond Cole as he researches his hotly anticipated book and as he pulls back the curtain on race in Canada.
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.
Documentary about three people living in the North part of Rio de Janeiro, in poor neighborhoods: their lives, dreams and intimacy. They don’t know each other, but have one thing in common: they’re rappers, and dream of becoming professional musicians.
A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century…