Kirk Whalum curates this exciting collection of musicians, coming together to perform THE GOSPELACCORDING TO JAZZ. The artists include Kim Burrell, Jonathan Butler, Georke Duke, Paul Jackson Jr. and Tata Vega, all neatly complementing Whalum's forays into jazz, blues and gospel.
Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
Michel Leeb & The Count Basie Orchestra - Humour et Swing
In 1932 Harlem, aspiring jazz trumpeter Ethel Franklin struggles to get her foot in the door. Dejected after another fruitless night, an opportunity arises to prove herself as the greatest. With nothing to lose and everything to gain, Ethel goes against the most sinister being known to man: The Devil.
Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazzÂBobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin, is the only known visual document of this infl uential band who were together for only six months.
Chronicles the extraordinary rise of Haitian-American jazz singer Cécile McLorin Salvant, anchored by a pristine recording of a live concert.
Recorded Live at Tokyo International Forum Hall A on December 9th, 2007
The story of legendary jazz drummer, Gene Krupa. Since his youth, all Gene ever wanted to do is play the drums and make music. This is something his parents would not approve of- they want him to be a priest. When Gene's father dies he promises to enter the priesthood. He soon realizes that he doesn't belong there and leaves to join his friend, Eddie's band. Ethel, Eddie's girlfriend, convinces Gene to go to New York and make it big. The 3 of them head to New York. Here Ethel and Gene soon fall in love and Gene makes a name for himself. Gene starts to live in the fast lane, with drugs, alcohol, women and parties. Ethel, unhappy with Gene's lifestyle, leaves him. Gene soon "hits rock bottom" where he has to face reality and choose where to take his life.
One of the true legends of the jazz scene, Miles Davis was not only a virtuoso on the trumpet, but also one of the founders of cool Jazz, Groove, Hard Bop, and Fusion. Available for the first time completely digitally re-recorded is Davis' live performance in Montreal with rare concert footage. This is a must-have for all jazz lovers.
Young Benny Goodman is taught clarinet by a music professor. He is advised to play whichever kind of music he likes best, but to make a living, Benny begins by joining the Ben Pollack traveling band.
In 1927, a Kansas City, Missouri cornet player and his band perform nightly at a seedy speakeasy until a racketeer tries to extort them in exchange for protection.
Pop-soul band Kimberose is a French-British trio, led by singer Kimberly Kitson Mills, an artist with a voice reminiscent of Billie Holiday, Amy Winehouse or even Nina Simone. After several singles (including "I'm Sorry"), her first album "Chapter One" was released in 2018. Three years later, Kimberly Kitson Mills shows us again her talent in the new album: "Out". Recorded on 20 and 21 May 2021 at the Salle Wagram in Paris. [arte.tv]
Nina Simone in concert at the International Jazz Festival City of Pompeii in 1983
Live in Norway at University Hall, University Of Oslo, April 12, 1964
Melody Gardot performs her new album Sunset in the Blue, from the Radio France studios accompanied by a trio of musicians and 40 instrumentalists from the in-house orchestra.
Drummer Shun Ishiwaka's SP Band reunites. Grammy Award-winning pianist Robert Glasper, Aina the End, Yasuyuki Okamura, KID FRESINO, Ringo Sheena, and Kaho Nakamura will perform together!
Sting : My Songs au château de Chambord
In this short film from 1967, filmmaker Henry English attempts to place a context around saxophonist and composer Marion Brown’s flurries of notes and expression. Juxtaposed against performance footage and scenes from Brown’s environment are the musician’s spoken observations in which he, in a gentle Georgia accent, explains some of who he is and how his chosen form of expression (wild, free lines of spontaneous sound) may not be as alien as it must have seemed in 1967. (Austin Film Society)
Rita Coolidge: On Stage at World Cafe Live
Two different students—a successful but aloof academic and a rebellious but kindhearted delinquent—form a friendship through their love of jazz music.