Don't Fall in Love with Yourself

Miles Davis performing live at Konserthuset, Stockholm, Sweden 27 October 1973 1. Band warming up 2. Untitled Original 730424c 3. Calypso Frelimo 4. For Dave (Mr. Foster) 5. Tune in 5 ------ Miles Davis (tpt, org) / Dave Liebman (ss, ts, fl) / Pete Cosey (g, perc) / Reggie Lucas (g) / Michael Henderson (el-b) / Al Foster (d) / James Mtume Forman (cga, perc)

Playing for Change 3 - Songs Around the World

In the pinnacle of their Stack Is The New Black national tour, Short Stack play the Sydney Opera House in a sold out mega-show.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

Force Attack 2009

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.

The documentary film on the life and legacy of Rahsaan Roland Kirk – a one of a kind musician, personality, activist and windmill slayer who despite being blind, becoming paralyzed, and facing America’s racial injustices - did not relent.

Johnny Thunders was the legendary hard-living rock'n'roll guitarist who inspired glam-metal, punk and the music scene in general. 'Looking For Johnny' is a 90-minute film that documents Thunders' career from his beginnings to his tragic death in 1991. The film examines Johnny Thunders' career from the early 70's as a founding member of the influential New York Dolls; the birth of the punk scene with The Heartbreakers in New York City and London; Gang War and The Oddballs. It also explores Johnny's unique musical style, his personal battle with drugs and theories on his death in a New Orleans hotel in 1991 at age 38. The film includes forty songs with historic film of Johnny, including unseen New York Dolls and Heartbreakers footage and photos. Cult filmmakers Bob Gruen, Don Letts, Patrick Grandperret, Rachael Amadeo and others contribute classic archive footage.

The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.

After a close friends suicide; Will, a Punk and Post-Punk musician living in the US is struggling with doubts about his relationship, his identity and ultimately what he wants to do in life. Will becomes isolated, reliant on substances and is sent down a path of pain, suffering and existential terror.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Step N' Soul

Concert and interview of Joan Jett and The Blackhearts during Guitar Classis Sessions

Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.

"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.

In the early 1980's, The Cardiac Kidz became one of the most famous local San Diego punk bands ever. This is their story.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.