ZAUBERWEGE - On the path to music

Cat Dylan

Spanish musician Santiago Auserón soaked up the rhythmic wisdom of son during his first visit to Cuba in 1984, an influence he soon transferred to his own work.

Scientists, luthiers and musicians lead an international quest to recreate the sound of the famous Stradivari violin.

Rock is a beautiful style of music, with many artists and songs, but how did this classic style of music come about?

O Fim do Mundo, Enfim

Razões Africanas

In this medium-length documentary, which goes through emotional and funny moments, we discover how Post Mortem transcended its condition of being a debut album to become an authentic artistic movement.

O Pianista

A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.

angústia

L'eternità di una nota

Americania - "Concierto En La Sala"

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?

Can Homo sapiens evolve into Homo spatius? For over 50 years now, we have been testing our human nature in our effort to conquer outer space, and still 30 years away from a possible human exploration of Mars, a question remains: Can our body take such travels? Will it ever adapt? Combining human adventure and the exploration of the human body, this film offers unique insights into the physical and psychological effects of space travel on the Astronauts and measures the impact on medical sciences.

“I am a hypochondriac”, admits Rosa Von Praunheim, the icon of the gay movement, right at the beginning at the film. The director, who turned seventy in 2012, is afraid of cancer, and he actually suffers from glaucoma, with osteoarthritis in his big toe. Von Praunheim is interested in alternative medicine and goes on a foray into the scene.

The film tells the story of three friends and their long years of drug addiction in a small village of East Germany.

More than two hundred thousand women work as maids in Spain, and perform a task as fundamental as invisible in the hospitality sector. Our documentary covers the life, problems and struggle of the Kellys (the ones that clean the hotels). While the government proclaims the strength of the tourism industry in our country, as a flagship of GDP, its working conditions have progressively worsened, reaching a charge of one and a half euros per room. 'Hotel Explotación: Las Kellys' is the story of a fight to empower, organize and restore dignity.

Tattoo girls is a memoir of life as it is and of women as they are. A window to the lives of seven women from the same city where nothing is exactly as it seems and reality is often hidden behind illusions. It's a female centric-film showcasing about a group of ordinary women (within a range of ages), and their different styles of daily life, showcasing their stories and the impact they have on society as real, everyday women. We are living in a era of the importance and empowerment of women throughout the world, and this documentary aims to convey ideas and topics to be felt, absorbed and discussed.

Cunningham said of his choreography for "Beach Birds", “It is all based on individual physical phrasing. The dancers don’t have to be exactly together. They can dance like a flock of birds, when they suddenly take off.” A work for eleven dancers, the rhythm for "Beach Birds" was much more fluid than other Cunningham dances, so that the sections could differ in length from performance to performance. John Cage composed the music, and painter Marsha Skinner provided the costumes and décor. The dancers were dressed identically in all white leotards and tights, with black gloves. Skinner’s backcloth was a white scrim on which the light varied in color and intensity, decided by a lighting plot that was devised using chance methods. While the timings did not relate to the dance structure, the gradual changes of light have been interpreted to imitate those that might occur from dawn to dusk on a beach.