Germany's first Open Source movie. A gonzo style documentary.
The first Road Movie feature film made by the Italian artist Sanzi together with the Cuban Balboa is inspired by friendship, the island and the motorbike. The two artists used, for the first time in Cuba, the form of the Road Movie--the cinematic genre the plot of which is developed during a trip.
Cocco and Stefano are two unlikely friends bonded by a mutual goal: reach Samarkand from the mountains of Northeast Italy. Cocco is an old biker with a troubled past whose dream is to depart towards the East with his Harley-Davidson from ’39. Stefano is a young director who wants to make a film about the adventure and the story of his friend. Between the highs and lows of a quixotic trip, the challenge will reveal bigger than the two expected. Only through friendship, Cocco and Stefano will be able to reach their dreams.
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
Son and father are driving on the highway. The son keeps asking questions until he finally notices the changes in his father's body. The dialogue in the animation is taken from a recording of a real conversation between the filmmaker and his father.
Ghost Rider goes nuts on the busy street of Stockholm, terrorizing the local traffic and authorities. WARNING: Some scenes in this clip entail the reckless endangerment of the lives of people other than the driver. Ifilm neither condones nor encourages the sort of dangerous, illegal behavior presented in this video.
Miloš Knor brings a group of Czech comedians on a tour around the Czech Republic.
A documentary on the origins of Changüí.
A documentary on the origins of Cuban Son.
As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.
Leysi over media in Cuba
A documentary that explores the myth behind the truth. Different people around the globe reinterpret the legend of Che Guevara at will: from the rebel living in Hong Kong fighting Chinese domination, to the German neonazi preaching revolution and the Castro-hating Cuban. Their testimonies prove that the Argentinian revolutionary's historical impact reverberates still. But like with all legends, each sees what he will, in often contradictory perspectives.
The Antonio Maceo Brigade consists of fifty-five children of Cuban families that escaped the revolution and settled down in Miami. To the annoyance of their parents, the children developed pro-Castro ideas. This documentary follows the Brigade on its first visit to Cuba. When they meet family members and embrace old neighbours, childhood memories surface.
Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
Power struggles among the owners of a cigar factory;meanwhile, a society babe and a factory girl compete over the youngest of the executives.
The young American Pablo Menéndez came to Cuba to study Music at the National School of Art. Here he formed a family and became one more Cuban. Member of the Sound Experimentation Group of ICAIC and promoter of the teaching of the electric guitar in Cuba, he is, together with his group Mezcla, one of our most original musicians.
The notion of a Cuban civil society is often misrepresented in the U.S. mainstream media. According to most sources, Cuban civil society is limited to the opposition, which has little impact on the Cuban political scenario. Regardless, yearly, the U.S. government allocates tens of millions of taxpayer money to empower dissidents in the island. By doing so, it overlooks genuine expressions of pluralism, reform and contestation which are shaping the Cuban public sphere, sometimes in autonomous ways, sometimes within State-run institutions. Through in-depth interviews to members of Cuban Civil society, this documentary explores the complexities associated to these processes, following the itinerary of the debate about the concept of civil society generated in Cuba, since the 90s to the present.
Turo is stuck in a small village and the best thing in his life is being the lead vocalist for the amateur metal band Impaled Rektum. He and his bandmates have practiced for 12 years without playing a single gig. The guys get a surprise visitor from Norway -- the promoter for a huge heavy metal music festival -- and decide it's now or never. They steal a van, a corpse, and even a new drummer to make their dreams a reality.
Cat Dylan
Istvan Varju a.k.a. Kanya is a track driver. He drives alone on the roads and listens to the radio. We're In the middle of seventies, the radio broadcasts hungarian beat music. He is convinced that interesting and significant events in the life happen on the roads, so we should go, go and go in order not to miss something.