Story & Pictures By

The illustrator and author paints scenes from a 70-year-long career, including his work with Roald Dahl. With David Walliams, Joanna Lumley, Peter Capaldi, Ore Oduba and Michael Rosen.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

Len Lye (1901-1980) was a pioneer of experimental animation, and also of kinetic sculpture. This short film dramatically presents 18 minutes inside the head of the artist as a teenager. The opening scenes are set in New Zealand in the year 1917, on the day when Lye (setting out on his bicycle to deliver newspapers) makes his excited discovery that motion can be the basis for a radically new approach to art.

When a bus driver takes a break from his route, a very unlikely volunteer springs up to take his place -- a pigeon! But you've never met one like this before.

For the first time ever, Tasha Tudor has permitted a film crew unprecedented access to document her daily life. An intimate and charming portrait of one of America's best-loved artists.

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

Superman, Batman, Spider-Man, The X-Men – characters recognized all over the world, and have gained even wider popularity through television and film. What may not be known is that, since the 1970’s, Filipinos have had a significant contribution in these and other characters’ mythologies. In terms of comic book history, these creators are often left unaccredited or, at worse, neglected entirely for their accomplishments. “Illustrated By”: Filipino Invasion of U.S. Comics is a full-length documentary film tracing the phenomenon of Filipino comic artists breaking into the U.S. mainstream. The movie aims to pay tribute to many of these ignored, unacknowledged talents, and showcase their gorgeous artwork.

An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.

This is the third and final book in the Knuffle Bunny trilogy. Trixie and her family set off on a fantastic trip to visit her grandparents in Holland! But it seems Knuffle Bunny has different plans. Join Trixie on this international adventure as she makes a very surprising and moving decision.

At 18, right after the Second World War, Birgitta Stenberg bought a one-way ticket to Europe. Far from Sweden, she plunges into a wild life with bohemians from around the world. She falls in love, gets exploited, takes drugs, and exploits others. Her life is forever shaped by these years and these people. A life on the fringe. In The Wild Ones she travels to places like New York, Paris and Rome, returning to former lovers of both sexes. They face their choices and the consequences. Was it truly free to live like that? Was it worth it?

Short documentary on "the Walt Disney of Eastern Europe", Czech puppet animation director Jirí Trnka.

Trixie can't wait to bring Knuffle Bunny to school and show him off. But an awful surprise awaits her: someone else has the exact same bunny! Thus begins an exciting, frustrating and ultimately revelatory twenty-four hours of chaos, where Trixie loses her beloved bunny and gains him back, along with something new: her very first best friend.

For Peter, learning to whistle means being able to call his dog, Willie, and being a bit closer to those two magic words: grown-up.

Patrick McDonnell tells the story of the young Jane Goodall and her special childhood toy chimpanzee named Jubilee. As the young Jane observes the natural world around her with wonder, she dreams of "a life living with and helping all animals," until one day she finds that her dream has come true.

Trixie, Daddy and Knuffle Bunny take a trip to the neighborhood laundromat, but their exciting adventure takes an unexpected turn when Trixie realizes something is missing.

In the fifth picture book in the New York Times best-selling Pigeon series by Mo Willems, Duckling asks for a cookie—and gets one! Do you think Pigeon is happy about that?

It's getting dark out, but one stubborn Pigeon is NOT going to bed! Children will love this interactive bedtime romp, which puts readers back in the driver's seat, deflecting Pigeon's sly trickery as he tries to escape his inevitable bedtime. Will you let him stay up late?

Once upon a time, there were three hungry Dinosaurs: Papa Dinosaur, Mama Dinosaur...and a Dinosaur who happened to be visiting from Norway. One day - for no particular reason - they decided to tidy up their house, make the beds, and prepare pudding of varying temperatures. And then - for no particular reason - they decided to go...someplace else. They are definitely not setting a trap for some succulent, unsupervised little girl.

Charles Santore, in an expansion of his discussion in “Oz: The American Fairyland” (1997) (V), tells about his experience making an abridged storybook of “The Wizard of Oz”. He tells of his inspirations, the little girl who modeled for Dorothy, the tin man in folk art, and a left to right progression in a journey of identity, with opposing forces pushing the movement in art back to the left.

This documentary celebrates the work of illustrator Reynold Brown, whose colorful and compelling art graced over 300 movie posters during the 1950s and '60s, ranging from star-studded westerns and studio epics to sensational creature features and low-budget B-movies. Art historians, writers, and movie producers discuss Brown's art within the context of the post-war social climate and an ever-changing movie industry.