A documentary film that delves into the life and cinematic career of one of Japan's most prolific directors: Ishiro Honda. The film will spotlight Honda's filmography from both a historical and personal perspective, exploring his contributions to the Japanese film industry and his firsthand experiences of war, from which he barely survived. It will also delve into his profound feelings regarding the atomic bomb, a subject that became an obsession for him and was frequently reflected in his films. The documentary will analyze Honda's body of work through interviews with individuals who had the privilege of collaborating with him, as well as experts on Honda's films from both Japan and the Western world. Furthermore, the film will uncover Honda's friendship and professional relationship with director Akira Kurosawa.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.
In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.
The history of Frankenstein's journey from novel to stage to screen to icon.
Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.
French documentary on the Spaghetti Western genre, with numerous interviews.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Drama, Tanz und Beine
A portrait of the famous French actress Fanny Ardant, who has worked with great figures of cinema such as Agnès Varda, Alain Resnais, Michelangelo Antonioni, Sydney Pollack and, above all, François Truffaut (1932-84), with whom she had a sentimental relationship and whose death marked the rest of her life.
Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.
Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.
A nostalgic journey through ’80s Sci-Fi-films, exploring their impact and relevance today, told by the artists who made them and by those who were inspired to turn their visions into reality.
An account of the life and work of Spanish actress Penélope Cruz: a long journey that began in the working-class neighborhoods of Madrid and ended in the hills of Hollywood.
A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.
Act of Violence Upon a Young Journalist is a film shot in 1988 and released on VHS in 1989; a mysterious cult work of Uruguayan cinema surrounded by strange theories about Manuel Lamas, its unknown creator. Until now.
The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.