A Dance at the End of My World

The multi-award-winning dance film Amelia (2002), directed and choreographed by Edouard Lock and performed by the acclaimed dance company La La La Human Steps, explores the use of point technique using extended intertwining solos, complex partnering sequences and extreme speed to generate powerful performances with unexpected moments of tender emotion and serenity.

Whitney, a spoiled pre-teen from Philadelphia, is forced to move to the country when her parents feel the squeeze of economic hard times. A fish out of water, far from her comfort zone, she befriends an amazing horse, and undertakes a misguided journey back to her old life, only to discover that her family is her home.

A poor family, lives in a city near Salvador. The father is cleaner and, mother and daughter help making small services. Until they decide to try the luck in the big city and the father, Raimundo, get a job near Pelourinho, next to a dance academy. The daughter, Carla, in contacting music, discovers her true vocation and becomes a very successful dancer. But she does not let himself take away from fame and back to his origins, meets with poor children and teaches them to dance.

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

An actor and his protege lock themselves away from the world while he rehearses for a part in an upcoming feature.

When best friends Benji (Peter Carroll) and Ruben (Nick Trivisonno) decide to make a film about the man on the moon, they don’t realize they’re signing up for the end of the world as they know it. But when a love triangle develops on set and the lines between reality and fantasy start to blur, the boys must reckon with their developing feelings for each other or face an uncertain future. Produced by and starring high school students from Interlochen Arts Academy in Interlochen, Michigan, HOW THE MOON FELL FROM THE SKY AND NO ONE EVEN NOTICED is a testament to the power of young artists who work together to achieve what no one thought possible.

A small dance studio fights for its existence against the unscrupulous owner of a rival club.

A tramp falls asleep in the woods. He dreams of observing a range of insects that stand in for various human characteristics in terms of their lifestyle and morality: the flighty, vain butterfly, the obsequious, self-serving dung beetle, the ants, whose increasingly mechanized behavior leads to a militaristic society.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.

A feisty 18-year-old Italian-American New Yorker named Cindy is sent off to Rome with her irascible stepmother and vain stepsisters. On the way, she meets and falls in love with, globetrotting bagpacker Mizio, who eventually turns out to be of Italian nobility. There's a fairy stand-in in the form of a spaced-out astrologer, a dance, and she even loses a shoe at one point. Care to venture a guess how it all turns out?

Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.

After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma.

Timothy is bullied by homophobic classmates at his all boys high school. While studying A Midsummer Night's Dream, he imagines a world where he isn't so different. With the help of Midsummer, his quirky teacher, a spectacular musical dream and tons of glitter, he creates a way to fit in.

College seniors Jamal and Trevor each think they have it all planned out until they have an unexpected encounter, but can their developing love overcome their different paths, friends, and families?

Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.

La goddam voie lactée

Two ballet dancers perform a dance enhanced with surreal after-image visuals.

Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.

Shadow / Self is a film project that combines dance, fashion and music to explore the darker side of the feminine psyche. A story of human struggle told with movement, beauty and light.