The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
A film student at Ryerson University struggles to complete her thesis project.
Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
A film student from Long Island, who cut his dying father’s cough out of the home movies at thirteen, spends four years filming everyone but himself — until one festival slot, a rival’s film, and the footage he’s been cutting force him to choose between the safe version and the true one.
Nunca Seré Agnès V
Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.
Middle-aged romance author Leo writes under a pseudonym, since she despises her own work. At home, her husband, who works overseas, is distant both physically and emotionally. As she reevaluates her life and writing, Leo is led to an unexpected relationship with Ángel, a sensitive newspaper editor.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
A small-time thug who collects debts for the local triad is torn between his criminal aspirations and his devotion to family.
The residents of a small Vermont town don't know what hit them when a beleaguered Hollywood film crew brings a chaotic shoot to their quaint village.
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
Two young people arrive in New York to spend a weekend, but once they arrive they're met with bad weather and a series of adventures.
On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.
Two brothers clear the air and have a bonding conversation on the past.
In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.
Student filmmaker lets nothing stand in the way of his getting a studio contract.
Drafted to shoot a new film, Tadashi Kobayashi, a director with festival marketability, is strong-armed by the studio into hiring two famous actresses as leads. The cast of self-unaware weirdos that constitute the budding players become increasingly overwhelmed and emboldened until they stage their own micro-revolution.
A chilling meeting between a deadly assassin and a former associate as The female assassins threatens the target in order to force him to give up important information of interest.
Déja Vù