At the Drive-In

A short documentary about the Making Of Hitchcock's "Shadow of a Doubt" (1943).

Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.

Nora, an actor, and her sister Agnes, are grieving the loss of their mother when their father Gustav reappears in their lives after a long absence. Gustav, a once-celebrated filmmaker, has written a script for a comeback movie and offered the main part to his daughter Nora, but she categorically refuses the role. During a career retrospective in France, Gustav meets an adoring Hollywood star and offers her the part intended for Nora. When the film starts shooting back home in Norway, Gustav seizes the opportunity to repair his bond with Nora and her sister.

A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

This documentary is featured on Arrow Video's 2011 DVD & Blu-ray releases for The Beyond (1981).

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

William Thacker is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American actress Anna Scott appears in his shop. A chance encounter over spilled orange juice leads to a kiss that blossoms into a full-blown affair. As the average bloke and glamorous movie star draw closer and closer together, they struggle to reconcile their radically different lifestyles in the name of love.

Der Vogelhändler

Thirty years, three eras: they have been trying to save the Hungarian film industry again and again over the decades. Among these attempts were highs, lows, countless deals and compromises. And now some say that we are living in the saddest period of Hungarian filmmaking.

The director of films for kids called Bonzurka together with her loyal assistants Drahuska and Honza are looking for the actors for a new movie "The Knee". Children for this movie should not be afraid and shy and they must have talent for acting. Thus the scouting is quite difficult. The most difficult is to find an actress for a main character who lost her hair after a serious illness and now has to spent the whole holiday in the countryside with a bald head resembling a knee. Although the makeup artist does his best an artificial baldness does not solve anything. From the selected little girls only the self-assertive Rosemary has the guts to let her long hair to be cut and shave off her head.

Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.

During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.

Meeting with the director Quentin Dupieux, who agreed to open the doors of one of his sets on the set of his film “DAAAAAALI!”.

A gunshot tears to shred the outward appearance of a modest family: father, mother and son connected by love, faith, hate, anger and resentment. Who shot who and why?