Urraca, cazador de rojos

Many years have passed since Saturraran women's prison closed its doors in 1944. Thanks to the people working to recover the historical memory, numerous black points of the Civil War are gradually coming to light. Even so, the silence continues to reign. The list of forgotten names is long and there is still so much to be remembered...

An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.

Siempre días azules

Documentary film about the Spanish Civil War.

Extranjeros de sí mismos

An audiovisual chronicle of the Spanish Civil War in Galicia. Memorias Rotas centers on a group of republican fighters leaded by Commander José Moreno. The group disappears as they fail trying to escape by sea in the border between Galicia and Asturias and nobody ever knows about them.

A documentary about how Republican forces lost to Franco in the Spanish Civil War.

¿Por qué morir en Madrid?

La Tragédie des Brigades Internationales

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.

In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

Franco on Trial is the new film by Dietmar Post and Lucía Palacios. After the success of Franco's Settlers, their first encounter with Franco's dictatorship, they are now setting their sights on one of the darkest chapters of European history: the presumed organized extermination that took place during the coup, the war, and the subsequent dictatorship led by Franco, as well as Argentina's current effort, by invoking the principle of universal jurisdiction, to prosecute Francoists accused of committing crimes against humanity. The film is also a sore reminder of an issue that still stands today: the clear-cut accountability held by Germany, Italy, and Portugal. The film accomplishes to give both sides a voice - those against whom the killing has been directed; and the side of the perpetrators.

The Moroccan Labyrinth

In 1936, after the coup d'état perpetrated by Franco against democratic Spain and the subsequent dictatorship that followed a bloody Civil War, women suffered physical, sexual, economic, educational and political violence, leading to the largest theft of babies in the world. History of recent Europe. 'Las vencidas y no derrotadas' is a documentary with the testimonies of these women, whose faces bear the mark left by unhealed wounds. Its protagonists tell us about real events, reliving events that were milestones in their families, towns and cities, supported by graphic documentation of family and personal memories, as well as images and audios from historical archives.

This documentary collects, through the testimonies of five survivors, four women and one man, the tragedy experienced in “la Desbandá de Málaga and the subsequent exile to France. At the entrance of Queipo de Llano's troops into the city of Malaga, thousands of people, mostly women and children, fled to Almería along the road. They were bombed by sea, land and air by the German army, Mussolini's army and Franco's troops from the then Moroccan colony. Around five thousand people died on these two hundred kilometers of road. This exodus was known as “La desbandá”.