¿Por qué morir en Madrid?

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

After fighting on the Republican side during the Spanish Civil War, a man goes into exile in France while his family waits for his return in a Catalan village.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

During World War II, the propaganda engine of the U.S. government made a pivotal decision with unforeseeable results: they tapped John Huston to shoot war documentaries with an expressly patriotic spin. Few could guess the degree to which Huston's documentaries would depict the sheer brutality and horror of modern warfare - particularly his Let There Be Light and The Battle of San Pietro. The films served (by default) as cinematic protests, even as they graced new and brilliant heights within the scope of American documentary. (Indeed, Light was banned by the government for 35 years). Midge Mackenzie's 1998 documentary John Huston: War Stories explores this little known facet of Huston's career, intercutting clips from the various documentaries with a Huston interview shot just prior to his death.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

Documentary about WWII propaganda cartoons.

Documentary made by the U.S. Army Signal Corps after the North African campaign.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.

From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.

Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

Events that took place in the capital of the Tajik SSR, the city of Dushanbe in 1929.

Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.