Two young women join the director. The three of them become one to break the silence and tell a story about incest. Between reality and traumatic flashbacks, the narrative transcends genre barriers to explore pain and resilience.
Two children accused parents and teachers of leading a paedophilic satanic cult, supposedly headquartered in secret rooms on the school premises. The story was not true. But once the fire was lit, it was hard to put out. Emily Turner’s film considers the real-world impact of an outrageous online conspiracy theory, exploring the importance of truth and the cost of lies.
POLICE OFFICER JIM BYRNE, Canada's most honoured Safety Education Specialist brings you his famous TEN RULES, with which he has personally tested more than 25,000 students. Learn key strategies now taught in many schools and used by police working with the full NEVER BE A VICTIM Institutional Study Program. Develop your own personal streetproofing skills so you can train and test your family. Robert Gordon, who created this remarkable program in partnership with Metropolitan Police introduces this family video library against a backdrop of today's troubled society. TEACHING LIFE SKILLS FOR A SAFER COMMUNITY OFFICER JIM'S TEN RULES FOR STREETPROOFING • STRANGER MYTHS • ABDUCTION • BEING FOLLOWED • DANGEROUS PLACES • AVOIDING CARS AND VANS • GOOD TOUCHING-BAD TOUCHING
Explores the history of "The Game," the annual football matchup between bitter rivals Ohio State and Michigan
Mariam, Asiya, and Anissa were 11, 7, and 5 years old when they were raped. The attackers were their paternal uncle, a neighborhood youth, and the nanny's son. They have no memory of the event. To protect them, their bodies developed traumatic amnesia. Years later, the memories returned, and they decided to file a complaint.
There are children. There are those who abuse them. And there are those who know, but never tell.
"Cut" is a documentary film by Eliyahu Ungar-Sargon which examines the subject of male circumcision from a religious, scientific and ethical perspective. Using cutting-edge research, in addition to interview footage of rabbis, philosophers, and scientists, Cut challenges the viewer to confront their biases by asking difficult questions about this long-standing practice.
The true story of the greatest turnaround in college football history.
The four adult heroes and heroines of the film, who were selected in a casting call posted on TV, speak candidly on camera from the very beginning of their memories. Through individual stories, they describe their childhoods, family backgrounds, life at school, and how they spent their free time. The stories complement each other and are intertwined; we see emotions and hear things that reveal the horrific DNA of domestic violence. The documentary addresses the issue of abuse with an emphasis on the entire social environment of the victims and the societal underpinnings. Typical of domestic violence is that victims often hide it within themselves; they do not talk about it, and sometimes they do not even admit it. But in the documentary, they were determined to speak out.
Children as young as seven are being groomed to sell drugs for 'county lines' drugs gangs in towns and villages all over the UK. This film follows four young people trapped in this world.
After starting the year unranked, Danny Ford and the Tigers were the kings of college football, beating three top-10 ranked teams including defending national champion Georgia and fourth-ranked Nebraska in the Orange Bowl.
A profile of Charlie Ward, an All-American college football player, quarterback, college basketball player, professional basketball player, and Heisman Trophy winner.
We’re #1! – The Story of 1990 ACC Football, a documentary chronicling the remarkable 1990 football season in the Atlantic Coast Conference
In 1998, Natascha Kampusch was abducted in broad daylight at the age of ten and held hostage in a basement for 3096 days. When she escaped in 2006, she was met with mistrust. Explores her story and how conspiracy theories have impacted her life.
Part 2 picks up where the original film left off, with the program trying to recover from the devastation left by NCAA sanctions and scandals that had some calling for the school to drop football. The Hurricanes rose from those ashes to win another national championship, only to face new controversies when a booster used a Ponzi scheme to win favor with the program.
A group of aging former classmates begin a quest for justice when they learn from one another just how many of them had been abused as schoolboys.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
On Fanø, Denmark, three young families have their lives brutally turned upside down when the municipality suspects them of having abused their children. The suspicion is unfounded, but the damage is done, and the families are now dragged through a process involving child interviews, police interrogations, and more. Is the law on protecting children from abuse too far-reaching, or is it simply the price some must pay to prevent serious cases of mistreatment and neglect?
As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.