Sought for Satan, found the family

A little wooden puppet yearns to become a real boy.

Ruby Franke's rise as a "momfluencer" with millions of followers hid a nightmare; when her son fled and alerted a neighbor about the abuse, police raided her home, rescuing her children.

An investigation into abuse and missing children at an Indian residential school in Canada ignites a reckoning on the nearby Sugarcane Reserve.

Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.

Elliot Hopper, a widower with three children, is working on a business deal to get his family out of financial straits when he is suddenly killed in a taxi accident. With the aid of a paranormal researcher, Elliott attempts to complete the deal from the beyond, ensuring his family will be taken care of.

Penn State football icon Joe Paterno went from revered patriarch to reviled pariah. A look back, now, ten years after the Penn State sex abuse scandal.

Satan in the Suburbs tells the shocking story of a grisly ritualistic murder in the quiet bedroom community of Northport, Long Island in the summer of 1984. The killing, it soon emerged, was linked to a teen satanic cult. Perhaps more disturbing than the details of the murder itself was the revelation of a conspiracy of silence among the town's teenagers, many of whom had been aware of the, e killing in the two weeks before an anonymous call finally tipped off local police. 17- year-old Ricky Kasso was arrested and confessed to the crime; five days later, he hung himself in his holding cell. Kasso's friend Jimmy Troiano also. confessed, but was acquitted after jurors learned that he was beaten by local police. The murder shocked the local community and reverberated nationally, with some uninformed observers rushing to scapegoat rock music as the cause.

This is the story of a little robot known as Pinocchio 3000 whose greatest wish is to become a real boy. The year is 3000. Geppetto, with the help of his faithful assistant, Spencer the cyber penguin, and by the holographic fairy Cyberina, creates Pinocchio, a prototype superrobot equipped for emotions. But before he can be given a heart and become a real boy, Cyberina insists that Pinocchio learn the difference between right and wrong.

Things seem pretty bad for a young girl living a "hard-knock life" in an orphanage. Fed up with the dastardly Miss Hannigan, Annie escapes the run-down orphanage determined to find her mom and dad. It's an adventure that takes her from the cold, mean streets of New York to the warm, comforting arms of bighearted billionaire Oliver Warbucks - with plenty of mischief and music in between.

The dawn of the 21st Century has found much of modern society obsessed with occult mysteries, sadistic violence, and evil. Everything from cartoons and video games to recorded music and major theatrical films are being designed and promote to "satisfy" the public's insatiable lust for the macabre. Most disturbing is the rise in the practice of Satanism. Law enforcement agencies are unable to keep up with the increasing numbers of heinous, Satanically inspired crimes. Basically a remake of Devil Worship: The Rise of Satanism (1989) using the same footage.

Cimarronas. La lluita afrofeminista a Colòmbia

Colòmbia. L’hora de la veritat

An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver "Daddy" Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks' mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

For the first time, complainants against La Luz del Mundo megachurch leaders expose the abuses they suffered through exclusive interviews.

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

“Territorio Puloui” is a documentary that explores the relationship between the indigenous Wayuu community and water. It tells the journey of Carmela, who visits the La Guajira peninsula for the first time, her father's home region and ancestral territory of the Wayuu people. Carmela listens to the voices of indigenous leaders and sheds light on the environmental impact of coal mining in the region. At the same time, she discovers the strategies used by the women of the community to survive the lack of water. The documentary immerses us in the Wayuu cosmogony through their myths, legends and beliefs, depicted in a series of animations that explore their dream universe.

Who's Afraid of Alice Miller?

The dramatic short, Little Wings, explores the trauma of child abuse through the eyes of a ten-year-old boy named Thomas. In this emotional tale, Thomas learns about the Legend of the Butterfly from his mother, Emily. The Legend states that if you whisper a wish to a butterfly and then set it free, the butterfly will carry the wish off to the heavens to be granted. Thomas loves butterflies and seeks the escape he needs in the pages of his favorite butterfly book. Butterflies are his only true happiness while growing up on a farm with his abusive father. After Thomas saves a butterfly from a spider's web, a stranger arrives at the farmhouse. As the tale continues, Thomas ultimately finds his freedom and steps into the unknown world of "Joy".

Every year in Quebec, 25,000 reports of children being beaten, sexually abused or abandoned are retained by the Directorate of Youth Protection. And nearly 40% of babies who die in the province to die because of the violence of their parents. This explains the fact that nearly 30,000 children are supported by the DPJ until the age of 18. But this government agency is in a position to meet the needs of young people? Journalist and documentary filmmaker Paul Arcand presents the testimonies of children and adult victims of abuse of all kinds, and interviews politicians, social workers and members of the judiciary on their perception of the problem. In addition, Arcand denounces the carelessness of a bureaucratic system that does not always seem to be concerned about the well-being of those for whom they are responsible.