Where the Yellow Lemon Blooms

Documentary road movie ‘Tarot Serbia’ is following Milan Radonjić, the star of ‘Commercial Tarot’ on his odyssey through rural, provincial parts of Serbia, where he’s invited to be the guest of honor at local TV stations. On his journey Milan will explore and reveal the characters of people living at the very edge of society, the ones who lost their jobs during transition, refugees from Bosnia and Kosovo, war veterans, invalids, sick people, betrayed lovers, girls possessed by demons, lonely pensioners, exorcists and all other people asking him for help and solution to all their problems.

Young farmer Mikajlo while on youth labour action falls in love with a student Nada and infatuated with her, he leaves the peasant brigade and Malena, a girl who as if she were overabundant, followed him to work the labour action. Mikajlo's courtship of Nada provokes laughter and ridicule, so ambitious 'Don Juan' returns to his brigade and the girl.

'History is always made in the middle of the night. And when it happens, you are so damned tired, that you couldn't care less,' says Robert Cooper, an EU peace negotiator whose job it is to get Serbia and Kosovo to reach an agreement about peaceful coexistence. National pride and compromise are on everyone's lips, and much is at stake: Kosovo wants to come closer to independence, the Serbs have been promised EU membership if they can reach an agreement, and the EU tries to strengthen its credibility. But how far is each party willing to go? It is the unique characters that make this fascinating film about a delicate political game so vivid and loveable. The stoic, Serbian negotiator has a great passion for rock music, his colleague from Kosovo does not want to miss out on his daily visit to the hairdresser, and Cooper himself has a closet full of ties - one for every conceivable occasion.

Kenedi is in a huge debt after building a house for his family. He finds himself searching for any kind of work to support himself, for as little as 10 EUR per day, a scarce amount to help him relief his debt. Ultimately, Kenedi decides to look for money in sex business. Initially offering his services to older ladies and widows, he expands his 'business' to offer sex to wealthy men. When he finds out about new liberal European laws on gay marriages, Kenedi sees prospects in looking for a "marriage material", to renew his search for a legal status in EU. The opportunity arises during EXIT Music Festival, when he meets Max, a guy from Munich. But will their promising relationship bring the solution to Kenedi's problems?

When a rookie operative's mistake costs the lives of his entire team, he's forced on the run and must piece together the truth by re-creating the events of the ill-fated mission with only the audio recording to guide him.

In order to keep his lover, Maria Draga, in luxury, Captain Alex Pastitsch contracts huge debts which threaten his military career. To save Alex's career, his superior officer, Colonel Strádimirovitsch has an idea of how to fix it.

Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...

A young journalist, an experienced cameraman and a discredited reporter find their bold plan to capture Bosnia's top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad.

The film is picturing the faith of the old Serbian warrior Milisav Janjic, who fought against the German occupation in the Second World War as a member of the "Ravnogorski pokret". The storyline narrates his memories of the past and the war events in the spring of 1941 interwoven with the contemporary moments, the author features the attack of fascist Germany, the April war and the fall of the Kingdom of Yugoslavia, the misfortune placed upon the Serbian people, loss of freedom, birth of the freedom movement in Serbia and one Serbian soldier, who after 70 years of expatriation in America returns to his homeland.

A documentary about incredibly successful 10 years (1995-2005) of Serbian / Yugoslavian basketball team.

Three childhood friends from Belgrade, Serbia, whose destinies change as they become adults during the wartime 1990s.

In a remote mountainous village elderly people no longer deemed productive are stoned to death.

Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.

An absurdist fable set in the numerous parallel realities of late-1990s Serbia. As a family disintegrates, Szabolcs Tolnai’s film effortlessly combines melancholic ruminations on middle age with dollops of unlikely colour, rejuvenation and invisible art projects.

Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?

Two parallel stories about unhappy marriages that take place during inter-war period in the Banat village within Romanian ethnic minority in Serbia.

Niko nema ovakve ljude! (trans. No One Has This Kind of People!) is the live/video album by Serbian rock band Riblja Čorba, released in 2010. The album was recorded on the band's concert held on October 10, 2010 in Belgrade Arena. The album featured two CDs and one DVD with the recording of the concert.

Sitting on the river bank under the bridge, two teenagers recall their first hangout and the past, in an attempt to comprehend the change in their relationship.

The film features intertwined scenes of young dance troupes' performances and scenes where famous Serbian actors, artists and athletes speak out to young people, in order to inspire them to by their own example to chase after and fulfill their lives' dreams. The 34 minute long film is fast paced and shows different types of dances at several key locations in Belgrade, Serbia. The performances are cut by the interviews with the artists and athletes, addressing the viewer, who talk about their beginnings and the road to success. The third segment of the film are young people, transitioning into adulthood, who talk about what their own dreams are. The idea that the film "Fulfill your dream!" carries is to show young people, through the movie itself, through the testimonies of successful artists and athletes, and finally through the example of the author, that it is possible to start an independent career, thanks to their creativity, ambition and perseverance.

Elsie Inglis and the work of the Scottish Women's Hospitals (SWH) are captivating. Elsie and the other women did not conform to the stereotype of women in war. They were operating close to the fighting on both the Western Front and in the Balkans. Also, the SWH's were run entirely and predominantly staffed by women. This meant that there were not only women doctors, rare enough in the early twentieth century but like Elsie, women surgeons.