Tu Historia es Mi Historia: Colo Colo Campeón 1991

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Raza Brava

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

Unpublished images of Colo-colo in the 2008-2009 seasons, intensely experiencing the institutional crisis that the club suffered after Claudio Borghi's brilliant campaign.

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Documentary that explores the history of the Colo-Colo Social and Sports Club, and not only highlights the socio-political significance of Colo-Colo at a national level but also debunks the myth surrounding the relationship between Pinochet and Colo-Colo. It dispels the belief that the former dictator provided funds for the construction of the Estadio Monumental.

Stories of some idols of the Colo Colo Social and Sports Club

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.

This documentary reveals the impacts of the Sixties Scoop, a period in which a series of Canadian policies enabled child welfare authorities to take, or “scoop up,” Indigenous children from their families and communities for placement in white foster homes. Explore Indigenous resilience through narrative sovereignty as experienced through the Little Bird series’ Indigenous creatives, cast, crew & community members.

Ravis par Marine (Le Pen)

Documentary examining the unique connections the singer shared with Britain, and what made the UK such a sanctuary for him. The programme features contributions from some of those who were closest to him, from his own children to friend Elvis Costello, as well as celebrity fans including Jools Holland and Freddie Flintoff.

The making of Elvis Presley's famous live TV concert and the chaotic behind the scenes. It was the most-watched television event of the year with nearly half of the audience tuned in to watch Presley perform in his iconic black leather suit.

A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.

Witnesses have reported seeing upright-walking canids in Texas. Fact or fiction? Seth Breedlove continues his investigation in to the werewolf phenomenon.

Dramatised documentary which describes the police investigation that led to the conviction of David Mulcahy for the notorious Railway Murders in the 1980s of three young women in the London area and for the rapes of many others. This investigation was based largely on the testimony of John Duffy to a psychologist in prison where he was serving life after being convicted of the same offences ten years earlier, having denied at the time of his trial that he had had an accomplice (Mulcahy). -Anonymous

The nation, the country, where do we belong in it? In this film through conversation and poetry two poets meet for the telling and the listening. Adrienne Rich is a distinguished American feminist poet, and author of numerous books of prose, poetry, essays and speeches. Dionne Brand is a Trinidadian-Canadian femininst poet, writer and filmmaker. Incisive and inquisitive, the two women meet to discuss the world as they each see it. Claiming any subject, they talk about events as they see them, analytic, contemplative, honest and open ended. Topics include political issues, feminism, racism and lesbianism, among others. The viewer is invited into the exchange by the familiar images of two women talking intimately around a kitchen table, in corridors, or casually outdoors in the United States, Tobago and Canada. Shot in black and white and in colour, the conversation takes us over the territories of their poetry.