Ejemplo de Valor

Raza Brava

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

Documentary that explores the history of the Colo-Colo Social and Sports Club, and not only highlights the socio-political significance of Colo-Colo at a national level but also debunks the myth surrounding the relationship between Pinochet and Colo-Colo. It dispels the belief that the former dictator provided funds for the construction of the Estadio Monumental.

Stories of some idols of the Colo Colo Social and Sports Club

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Ron Padgett (1942- ) is a poet and editor whose artistic career took off during his teenaged years in Tulsa, Oklahoma. There, along with Joe Brainard and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Padgett and Brainard serendipitously moved together to New York City, where Padgett studied at Columbia University under the tutelage of Kenneth Koch and interacted with various Beat poets. He has taught poetry at various schools in the City, edited volumes such as the Full Court Press and Teachers & Writers Magazine and written volumes of poetry including 2013’s Collected Poems which won the Los Angeles Times Book Prize. He also wrote “memoirs” of both Brainard and fellow Tulsan Ted Berrigan.

Ron Padgett (1942- ) is a poet and editor whose artistic career took off during his teenaged years in Tulsa, Oklahoma. There, along with Joe Brainard and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Padgett and Brainard serendipitously moved together to New York City, where Padgett studied at Columbia University under the tutelage of Kenneth Koch and interacted with various Beat poets. He has taught poetry at various schools in the City, edited volumes such as the Full Court Press and Teachers & Writers Magazine and written volumes of poetry including 2013’s Collected Poems which won the Los Angeles Times Book Prize. He also wrote “memoirs” of both Brainard and fellow Tulsan Ted Berrigan.

Ron Padgett (1942- ) is a poet and editor whose artistic career took off during his teenaged years in Tulsa, Oklahoma. There, along with Joe Brainard and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Padgett and Brainard serendipitously moved together to New York City, where Padgett studied at Columbia University under the tutelage of Kenneth Koch and interacted with various Beat poets. He has taught poetry at various schools in the City, edited volumes such as the Full Court Press and Teachers & Writers Magazine and written volumes of poetry including 2013’s Collected Poems which won the Los Angeles Times Book Prize. He also wrote “memoirs” of both Brainard and fellow Tulsan Ted Berrigan.

Desperate to become as rich and successful as their idol, a trio of Michael Jackson impersonators hustle their way into Hollywood agencies, are accosted by paparazzi, and cross paths with Grammy-winning musicians as the American dream seems tantalisingly close. But as they perform for dollar bills and sleep in their car, the reality of the ruthless entertainment industry they dream about hits home.

To celebrate the "birthday" of the famous Improv comedy club, 6 famous comedians get up on stage and do their thing. However, to make things interesting, while each one does his particular routine, the other 5 comics sit at the back of the stage and heckle the performer. This video is especially notable for Martin Mull issuing a zinger at Robin Williams that shuts-up the otherwise motor-mouthed comic for at least 5 seconds.

Documentary Of AKB48 : Show Must Go On is the 2nd AKB48 documentary. The movie feature various moments of 2011, such as Team 4 formation, Maeda Atsuko winning the 3rd Senbatsu Election, first dome concert in Seibu Dome and the Dareka no Tame ni Charity Project.

The Goose Lake International Music Festival held August 7–9, 1970 in Leoni Township, Michigan, "was one of the largest music events of its era", and featured many of the top rock music bands of the period. Songs performed include: Savage Grace - All Along The Watchtower, John Sebastian - Darling Be Home Soon, Harmonica Solo - Teegarden & Van Winkle, Ten Years After - Sweet Little Sixteen, The Stooges - 1970, Mountain - Ain't Got A Dime Jam, Mississippi Queen.

Founders of Coil, a cult entity of experimental industrial British music, Peter Christopherson and John Balance also directed films from 1970 to 1980, exhumed and restored by Timeless. Shot on 8 and 16mm film, these unclassifiable subversive marvels, unsettling and trippy, garbed in gay masochist aesthetics, are as much family films, performances, body horror and urban nightmares. They're above all characterized by a tormented imagination under the sign of Eros and Thanatos with an irrepressible taste for death. There was an empty space next to Antony Balch, Derek Jarman and Jean Genet : it's no longer vacant. Maxime Lachaud and Reivaks Timeless deliver a unique document, haunted by the duo’s music, with this one way journey into limbo, where they’re joined by the recently deceased Monte Cazazza, a founding father of the concept of industrial music.

The film narrates, from an intimate point of view, the daily life of President Dilma Rousseff in her official residence, the Palácio do Alvorada, while awaiting the verdict of the impeachment process. Portraying the hallways of the palace, designed by Oscar Niemeyer, we see the coming and going of political meetings, the daily routine of the kitchen, the exchange of guards, whispers and phone calls. We feel the growing tension of officials, advisers and former ministers.

Scenes collected in Thailand are used to document the ceremony and shock surrounding the death of women. Murders, autopsies, and accidents are on display and invite the viewer to explore the lives of those now lost.