Ejemplo de Valor

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

Raza Brava

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

Documentary that explores the history of the Colo-Colo Social and Sports Club, and not only highlights the socio-political significance of Colo-Colo at a national level but also debunks the myth surrounding the relationship between Pinochet and Colo-Colo. It dispels the belief that the former dictator provided funds for the construction of the Estadio Monumental.

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Stories of some idols of the Colo Colo Social and Sports Club

Thirty years after his BBC film The Auden Landscape, director Adam Low returns to the poet and his work. Following surges of popularity - from featuring in Four Weddings And A Funeral to being the poet New Yorkers turned to after 9/11 - Low reveals how Auden’s poetry helps us to better understand the 21st century and the tumultuous political climate in which we now live.

Skin and Bones gently introduce us to the world of anorexia and bulimia. The heroines of this moving film in which reality and fiction merge are called Annie, Andréanne, Hélène, Eisha. They have in common their youth and charm - as well as a terrible tendency to self-destruct.

A 19-year-old woman is killed by a bullet intended for her father in the tragic culmination of a bitter family feud between her father and his cousin, who is now imprisoned for murder. Or is her death just another twist in a saga of blood revenge? In the Albanian mountains, the ancient tribal law Kanun rules, and even though the killer is behind bars, the last word in the case has not been spoken. Religious and legal authorities - like the families involved - have their own powerful and conflicting interests in the controversial law, which is a taboo both in church and modern society. The question, however, is if the young woman’s father can find the faith to not only forgive his cousin, but also reconcile himself with him and break the vicious circle once and for all? Marija Zidar’s epic drama was filmed over 5 years in an obstinate patriarchal world, on the threshold of modern times. A mountain western from the old world, from the stuff of antique tragedies.

Slavery has never ended. It has just assumed other names and ways to conceal itself. Roser Corella’s film zooms in on Beirut, where the upper class on a large scale hires maids from countries such as Ethiopia, Kenya and the Philippines through agencies that advise people how to cheat and manipulate the young women to work full-time (literally) for meagre wages. An upsetting revelation, but Corella keeps a cool head and tears the inhuman ‘kafala’ system apart piece by piece. She analyses the situation in both words and images, but it is the underpaid maids themselves who provide the conclusion in the form of demonstrations, protests and demands for proper working conditions. ‘Room without a View’, the title of which describes the rooms made available to the women, combines an artistic and an investigative approach to its exposition of the abominable monster that is modern slavery. A film that is highly topical in all parts of the world - unfortunately.

25-year-old Ghofrane dreams of becoming a politician and having an influence on the future of Tunisia. As a young black woman from the working class, it is a dream that requires stamina – and she has plenty of it. Raja Amari’s film follows her up to the election in 2019 when she is on the streets to gather votes and give especially young people renewed faith in democracy in a polarised society plagued by racism and inequality. A smaller film might turn a blind eye on realism in favour of a good story, but here both Ghofrane nor Amari are aware of the exhausting struggles that have to be overcome before she can bring about the change she so fervently longs to see happening. An inspiring film about a true idealist and a rich image of a society full of contrasts.

Almost twenty years after the release of "La peau et les os", filmmaker and actress Hélène Bélanger-Martin interviews women who have overcome anorexia and bulimia.

Three track star sisters face obstacles in life and in competition as they pursue Junior Olympic dreams in this extraordinary coming of age journey.

Dania is 21 years old and grew up in a Christian community in the Faroe Islands’ Bible belt. She has just moved to Tórshavn and is seeing Trygvi, a hip-hop artist and poet locally known as Silvurdrongur (Silver Kid). He comes from a secular family and writes poems and texts about the shadow sides of humanity. Dania herself sings in a Christian band but is fascinated by Trygvi’s courage to write brutally honest lyrics. As she tries to find her place in the world and understand herself, she starts to write more personal texts. Her writings develop into a collection of critical poems called ‘Skál’ (‘Cheers’), about the double life that she and other youths must live in the conservative Christian world.

Since the 1970s, the travelling and extremely productive film poet Jon Bang Carlsen has created an extensive body of work with a creative and personal look at the world, with the staged documentary as his preferred form. When his beloved wife passes away, he reaches for filmmaking as a way to give his grief a form. ‘The Banality of Grief’ is a cinematic love letter to a loved one and to the places where they shared their lives for 35 years. South Africa, the USA, their shared home by the water. The boundaries between past and present end in an impressionistic and deeply personal film, where existential and artistic thoughts are countered by new impressions, which testify that life is the greatest of them all. Jon Bang Carlsen is a rare and precious figure in Danish cinema. An adventurer with an ever-recording camera, who directs his gaze outwards even when his thoughts are turned inwards.

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.