When Death's door is only a few breaths away, how would you choose to spend your last moments? A stranded astronaut and his dog embark on one last adventure together through space. This is a story not about the end but about the journey one takes to get there.
A wolf gets a job in an office plenty of sexy and succulent sheep.
A Japanese equivalent of a Hollywood Screen Song.
A drunk mouse dances out of a newspaper office and posts leaflets advertising a Hot Time.
A spoof of the early talkies and their supposedly wooden line readings.
In this sing-along trailer, Mickey sings "Minnie's Yoo Hoo" while the audiences sing along to the words on the screen.
This might be termed a comedy of errors, for the overzealousness of a lot of good-hearted simple folks places them in a rather embarrassing position. Lillie Green, who keeps a boarding house, receives a letter from her old school chum, Polly Brown, whom sin hasn't seen in years, to the effect that as Lillie has never seen her little darling daughter, she will send her for a few days' visit, asking that someone meet the child at the 3:40 train. Lillie's boarders are a bunch of kind-hearted bachelors, who at once prepare to give the "Little Darling" the time of her life, buying a load of toys, etc., for her amusement, also procuring a baby carriage with which to meet her at the train. You may imagine their embarrassment when they find that Tootsie, instead of being a baby, proves to be a handsome young lady of seventeen, whose tastes run rather to garden gates, shady lanes and quiet nooks, than toys. (Moving Picture World)
Mickey and Minnie are on a wagon train; they camp for the night, unaware that Indians have spotted them and are doing a war dance. The attack comes, and Minnie is captured.
Summertime, and Mickey takes Minnie on a picnic. While Pluto is chasing a rabbit, and Mickey and Minnie are doing a courtship dance, every animal in the woods is busy making off with their picnic food. And then the rain comes.
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair,
Mickey heads over to see Minnie, but Pluto won't leave him alone. He gets there and watches through the window, standing on Pluto, while Minnie plays piano. Pluto runs off to chase a cat and leaves Mickey stuck in the window. Minnie has him in, and he dances to her playing. Pluto chases the cat into the house and causes havoc. The chase leads into the piano, where Pluto picks up the player-piano roll as an extended tail, and the destruction continues.
A greedy man tries to get rid of his mother by putting her in an old folks home until he discovers she has a fortune in stock certificates.
Masked bandit Bimbo holds up a train carrying someone tougher… Betty Boop (with dog's ears), played by a different, deeper-voiced actress.
Koko The Clown continually interrupts an animator, who turns his attention to trapping the clown.
Delivery boy Mickey encounters Minnie washing clothes and singing. He stops for a quick song and dance with her. Meanwhile, Pluto gets tangled up in tar. Mickey sends a beehive flying; it lands on his mule, who kicks Mickey's instrument-filled wagon into the air. He plays a march or two on the piano with Minnie, with many animals playing along.
A gorilla has escaped; Mickey, panicked, calls Minnie, but she plays a song to show she is not afraid. That is, until the gorilla comes up behind her and grabs her. Mickey rushes right over to save her.
Another barn dance. Minnie plays piano; Mickey plays fiddle, then percussion, then harmonica. Mickey dances with the huge Patricia Pig.
Mickey and others are firemen; they slide down an ostrich's neck when the alarm sounds. A squealing cat whose tail Mickey pulls acts as the siren. The nearest hydrant isn't working too well, so Horace Horsecollar takes drinks from a pond and uses that water to put out the fire. Minnie is trapped on an upper floor; Mickey climbs the neighboring building fire escape and uses a clothesline to cross to Minnie's building.
A commercial. Four men sit in animated conversation in front of a billboard for Admiral Cigarettes. The billboard fills the entire background
“False Aging expresses a sense of lost time, of not moving in step with the rest of the world. In one sequence Jefferson Airplane's Lather asks the question, ‘Is it true I'm no longer young?’ Time makes us prisoners locked in ourselves, like the a small yellow bird who slips behind the back of a playing card, then comes back out in front of it. In rapid alternation, they make a kind of thaumatrope, that spinning parlor trick that suggests a sense of movement in the flapping wings of a caged bird. Here the birdcage has been replaced by chance, underscoring the momentary illusion that the bird is free." - Genevieve Yue