The Diary of Florica S.

Documentary about the making of Disney's animated musical adaptation of Kipling's classic.

Debunking the mythology surrounding the 16th century French prophet, Nostradamus.

In America, size matters. The bigger you are, the more power you have, especially in the business world. Anat Baron takes you on a no holds barred exploration of the U.S. beer industry that ultimately reveals the truth behind the label of your favorite beer. Told from an insider’s perspective, the film goes behind the scenes of the daily battles and all out wars that dominate the industry.

Three kids from a small village in Mecklenburg decide to sneak away to East-Berlin in order to gift Angela Davis a lucky pig.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

The five acting students have not seen each other for 36 years. Now they face each other again and look back on the past together. What experiences have they had? What were their successes? What would they rather have done without?

"A Home On The Range" tells the little-known story of Jews who fled the pogroms and hardships of Eastern Europe and traveled to California to become chicken ranchers. Even in the sweatshops of New York they heard about Petaluma where the Jews were not the shopkeepers and the professionals, they were the farmers. Meet this fractious, idealistic, intrepid group of Eastern European Jews and their descendants as they confront obstacles of language and culture on their journey towards becoming Americans. Jack London, California vigilantes, McCarthyism, the Cold War and agribusiness all come to life in this quintessentially American story of how a group of immigrants found their new home, a home on the range.

The film analyzes the efforts by the families of 9/11 victims to create the 9/11 Commission and what information was revealed by it in the 9/11 Commission Report.

Life and Debt is a 2001 American documentary film that examines the economic and social situation in Jamaica, and specifically how the International Monetary Fund and the World Bank's structural adjustment policies have impacted the island.

A survivor of the Rwandan Genocide struggles to forgive the man who killed her children. A victim’s daughter strikes up an unusual friendship with the ex-IRA bomber who killed her father. And two men—one Israeli, one Palestinian—form a bond after tragedies claim their daughters.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

With being thrown off buildings an occupational hazard, professional stuntwomen Jeannie Epper and Zoë Bell (the alter egos of Wonder Woman and Xena, respectively) would seem well-equipped for any challenges Hollywood might dish out. But finding roles -- and respect -- in a male-dominated field can prove more harrowing than dodging punches.

Who has ever compared Reservoir Dogs? What are “Open Road” and “New World Disorder”? Why is Harvey Keitel a fairy and how did we all almost become diehard fans of Paul Calderon? Here’s a story about Quentin Tarantino. The director who needs no introduction.

Straight from the front lines in Iraq, THE WAR TAPES is the first war movie filmed by soldiers themselves. These soldiers bypassed Pentagon supervised media to share their experience like never before. Funnier, spicier, and more gut wrenching than news reports, this is Operation Iraqi Freedom as filmed by Sergeant Steve Pink, Sergeant Zack Bazzi and Specialist Mike Moriarty. Steve is a wisecracking carpenter who aspires to be a writer. Zack is a Lebanese-American university student who loves to travel and is fluent in Arabic. Mike is a father who seeks honor and redemption. Each leaves a woman behind - a girlfriend, a mother and a wife. Through their candid footage, these men open their hearts and take us on an unforgettable journey, capturing camaraderie and humor along with the brutal and terrifying experiences they face. These soldiers got the story that 2,700 embedded reporters never could.

McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.

Chronicles artist RM's eight-month production of his second solo album, “Right Place, Wrong Person,” while candidly recording the endless concerns of the person Kim Namjoon, and the things he immerses himself in and loves.

An intimate exploration of the masculine territory of the high-rise projects at the edges of Paris. By following a group of young men, we wander through a world where female bodies are nothing more than ghostly and virtual silhouettes. The characters lead us inside everyday places where we hunt down the staging of their virility. Off-screen, narrated personal tales openly reveal the unexpected side to the characters' histories and personalities.

University of Washington professor Noam Pianko and his students collaborated with Citizen Film, the Pacific Northwest Jewish Archive and Seattle’s Jewish Community Federation to unpack and digitize archival photos and documents, then turn them into shareable digital content.

Citizen Film collaborated with the African American Cultural and Historical Society to produce an initial short film on African American migration, which was screened at African American Art & Culture Complex and other cultural venues around the city during Black History Month, February 2019. This first iteration of the migration stories will pave the way for Citizen Film’s collaborative process with the historical society to include a chorus of voices documenting personal and social histories.

It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.