The Resurrection of a Nation

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

In a Carpathian village, Ivan falls in love with Marichka, the daughter of his father's killer. When tragedy befalls her, his grief lasts months; finally he rejoins the colorful life around him, marrying Palagna. She wants children but his mind stays on his lost love. To recapture his attention, Palagna tries sorcery, and in the process comes under the spell of the sorcerer, publicly humiliating Ivan, who then fights the sorcerer. The lively rhythms of village life, the work and the holidays, the pageant and revelry of weddings and funerals, the change of seasons, and nature's beauty give proportion to Ivan's tragedy.

In a mountain village one woman's beauty and popularity with the men incurs the wrath of the others. AKA The Stray.

This film is a romantic story of love between a Hutsul girl and wounded Soviet guerrilla Andrii whom she rescues from certain death. The events unfold against the backdrop of WW2 presented with many obligatory falsehoods of the imperial Russian historiography: heroic Soviet guerrillas, poor and backward Hutsuls, rich Hutsuls betraying their own people and collaborating with the enemy, Ukrainians incapable of their own agency. Crude and mendacious as it is, this ideology is relegated to the narrative background, and the viewer's attention gets quickly captivated by the artistic fortes of the film: riveting stage presence of Kostiantyn Stepankov, Ivan Mykolaichuk, Boryslav Brondukov and the debuting Ivan Havryliuk; gorgeously atmospheric photography of Mykola Kulchytsky, beautiful faces, language, and dress of the Carpathian Ukrainians, and a faithful presentation of Hultsul folk culture devoid of typically condescending Soviet colonial slant.

Documentary portrait about a third-year ENERC student, who spends more than eight hours at school arguing that it is his "second home."

Neeme Järvi is one of the most recorded conductors in the world. His name appears on the front cover of more than 500 audio records. In addition to his international reach and being the chief conductor of several world orchestras, he also has a mission as a cultural ambassador. The film follows Neeme Järvi's recent activities - a concert tour with the ERSO in Vienna, Linz, Prague, a winter vacation in Florida, concerts in Tallinn, Glasgow and the Pärnu Music Festival - conducting, giving master classes and interacting with his offspring - the conductor sons Paavo and Kristjan Järvi - and sharing in their success.

Author and former Love Islander Yewande Biala, who has never been able to climax, uncovers the secrets of the female orgasm and embarks on a journey to achieve her first big O

An ingenious performance play and docu-fiction about a group of artists in the near future facing the end of the world to prevent the apocalypse.

In this performance for camera, Weems creates a ritual dance through the pillars of Peter Eisenmann’s ‘Memorial to the Murdered Jews of Europe’, completed in Berlin in 2005. Accompanied by the music of American composer Gregory Wanamaker, Weems appears and disappears, her fluid movement punctuated by short, sharp claps.

Florent Pagny : Le Phénix

Finding love in a crazy world. About human beings who one day suddenly discovered that they are no longer what they were.

Sous-marins, fleurons de la marine française

In this investigative exposé, award-winning journalist Harry Robinson goes toe-to-toe with the WMSCOG; a South Korean church 'cult' that believes an elderly Korean woman is God on Earth - all whilst the church watch from the shadows.

Venise : les défis hors normes des bâtisseurs

Biniam Girmay’s recent successes have shown that African cycling is on the up, ready at last to follow athletics and football into the big time. But why has it taken so long, and what’s needed to take it all the way? Set against the beauty and battles of the Tour du Rwanda, we explore the past, present and future of riders from Eritrea, South Africa, Rwanda and more, meeting Girmay and the rising stars hot on his heels, as well as the people passionate about giving these riders the opportunities they deserve. This is the story of the next great continent in cycling - Africa.

A Day In The Life of Bread- A short film on the process of sour dough bread making

Michael Strunge and other young Danish poets, accompanied by images of night-time Copenhagen.

Director Barry Greenwald takes his camera into a place we never thought we'd see so intimately: a high-risk parole office and the people whose lives it touches--prisoners guilty of everything from murder to white-collar crime; officers desperate to keep their clients out of prison and their failures off the files. What you see on-screen is the real thing: raw, revealing and utterly fascinating. Over a 10-month period, we follow six high-risk offenders and the parole officers and therapists whose job is to make sure they stay clean, stay out of trouble and stay out of jail. The offenders put up with urine tests for drugs, random curfew checks and therapy sessions. Most work at it, some feel hopeless, others just go through the motions. Their stories are at turns bizarre, tragic, disturbing and endearing. Frightening and funny, sad and troubling, High Risk Offender is a stunning documentary.