Maryjka

The story of the "Hutsul Robin Hood" Oleksa Dovbush, an 18th century Carpathian Mountains outlaw who's a popular figure of Ukrainian legend.

During the Soviet occupation of Ukraine in a Hutsul village, a young orphaned traumatized woman named Darusya is trying to overcome her terrible recollections. She only knows the deep feeling of guilt about an unknown tragedy commited when she was an innocent child.

As Carpathian legend has it, Oleksa Dovbush was a heroic outlaw with excellent fighting skills and a gift to predict the future. He was left an orphan as a small boy after a local lord murdered Oleksa's mother. After spending his childhood in exile in the mountains, he returned as a grown man to avenge his mother's death. Oleksa gathered followers to begin a crusade against the lord, but destiny made other plans for him.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

1939 . A young Ukrainian-American man Yaro comes to the Carpathian Mountains, because his father left him a fortune under the condition that he would marry a Ukrainian girl. There Yaro meets a Hutsul girl Ksenya and has to rethink his plan.

In the dark days of Nazi occupation, a young Hutsul girl native to the Carpathian mountains falls in love with a wounded Soviet partisan. Their affair sets in motion a tragic chain of events, as her family turns against her with shocking results.

Життя і Смерть у Гуцулії

The 20th century was the roughest in history for the Carpatho-Rusyns of Central Europe. After World War II, when they were declared Ukrainians by the new Communist regimes in every country where they live, Carpatho-Rusyns in Czechoslovakia and elsewhere became extinct overnight -- and this was their existence for more than 50 years. But with the 1989 Velvet Revolution, led by the playwright and former dissident Václav Havel, Carpatho-Rusyn ethnicity revived in every country - including the United States. This is the story of that revival.

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

Based on real life events, the film is set in January 1949 and focuses around a group of soldiers involved in the final stages of the Battle of Pingjin

On an isolated English farm in 1657, Fanny lives a quiet life with her oppressive husband John and their young son. One day their life is rocked with the arrival of young couple Thomas and Rebecca who claim to have been robbed and need a place to stay. But are these strangers really who they say they are?

In 1961, Roger Maris and Mickey Mantle played for the New York Yankees. One, Mantle, was universally loved, while the other, Maris, was universally hated. Both men started off with a bang, and both were nearing Babe Ruth's 60 home run record. Which man would reach it?

A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.

A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.

A shy and quiet World War II evacuee is housed by a disgruntled old man, and they soon develop a close bond.

Five Jewish Hungarians, now US citizens, tell their stories: before March 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April 1945.

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.