Maryjka

During the Soviet occupation of Ukraine in a Hutsul village, a young orphaned traumatized woman named Darusya is trying to overcome her terrible recollections. She only knows the deep feeling of guilt about an unknown tragedy commited when she was an innocent child.

The story of the "Hutsul Robin Hood" Oleksa Dovbush, an 18th century Carpathian Mountains outlaw who's a popular figure of Ukrainian legend.

As Carpathian legend has it, Oleksa Dovbush was a heroic outlaw with excellent fighting skills and a gift to predict the future. He was left an orphan as a small boy after a local lord murdered Oleksa's mother. After spending his childhood in exile in the mountains, he returned as a grown man to avenge his mother's death. Oleksa gathered followers to begin a crusade against the lord, but destiny made other plans for him.

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

In the dark days of Nazi occupation, a young Hutsul girl native to the Carpathian mountains falls in love with a wounded Soviet partisan. Their affair sets in motion a tragic chain of events, as her family turns against her with shocking results.

1939. A young Ukrainian-American man Yaro comes to the Carpathian Mountains, because his father left him a fortune under the condition that he would marry a Ukrainian girl. There Yaro meets a Hutsul girl Ksenya and has to rethink his plan.

The 20th century was the roughest in history for the Carpatho-Rusyns of Central Europe. After World War II, when they were declared Ukrainians by the new Communist regimes in every country where they live, Carpatho-Rusyns in Czechoslovakia and elsewhere became extinct overnight -- and this was their existence for more than 50 years. But with the 1989 Velvet Revolution, led by the playwright and former dissident Václav Havel, Carpatho-Rusyn ethnicity revived in every country - including the United States. This is the story of that revival.

The three Cheremiskyi brothers live in the mountains where they don't dream of owning an iPhone7, because to earn half of its price, they have to go to bed at midnight and get up at 3 a.m. all summer long, milk a hundred sheep, make cheese, wash cauldrons... This is the usual daily routine of 9-year-old Sashko Cheremiskyi, who earned as much as 3,000 hryvnias from his "old stall" this summer. But with this money he did not buy a bike or a tablet, but paid shepherds to graze his four sheep, bought a backpack and notebooks for September 1, and donated the rest... to repair the school. His brother Yurko, at 10 years old, bakes bread, cooks borscht and braids his younger sister's hair. The eldest, 12-year-old Vasya, dreams of becoming a reporter or cameraman, but first he wants to see the big city. The three boys don't go to school because they have to chop wood for the winter. Otherwise, their large family will freeze to death...

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

Kinderblock 66 is the story of four men who, as young boys, were imprisoned by the Nazis in the notorious Buchenwald concentration camp and who, sixty-five years later, return to commemorate the sixty-fifth anniversary of their liberation. The film tells the story of the effort undertaken by the camp's Communist-led underground to protect ad save Jewish children who were arriving in Buchenwald toward the end of the Holocaust. Kinderblock 66 also tells the story of Antonin Kalina, the head of the block who was personally responsible for saving 904 boys in Buchenwald.

Veer Savarkar is a Hindi language[1] 2001 Indian film based on the life of Vinayak Damodar Savarkar. This version was released on DVD format. This film was produced by Savarkar Darshan Prathisthan,[2] under the president-ship of Sudhir Phadke.[3] It premiered on 16 November 2001, in Mumbai, New Delhi, Nagpur and six other Indian cities.[4] Rediff.com reports a claim that it is the first movie in the world financed by public donations.[5] On 28 May 2012 its Gujarati language version was released by the then Chief Minister of Gujarat, Narendra Modi.[2]

A native of Wilmington, Delaware, jazz trumpeter Clifford Brown made an outstanding and influential contribution to music. In an era when many musicians were emulating Charlie Parker’s drug abuse, Brown inspired others to achieve greatness while living a clean life. Ironically, he was killed in a car accident at the age of 25. This feature-length documentary presents a richly detailed account of Brown’s life, and examines his historical importance in the context of three criteria–innovation, influence, and individuality.

In 1961, a 60-year-old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.

A backtracking investigation, going back to the origins of cinema in order to understand its dirty twin brother. When did the first film camera ever land in the hands of an apprentice filmmaker with a daring idea in mind ? And why did he decide to bring his new tool inside the intimacy of the bedroom, instead of shooting trains or factory outlets ? Was this pioneer aware of the upheaval such images would provoke in Western culture until now and the advent of VR porn ?

Ten years after General Antonio José de Sucre - Grand Marshal of Ayacucho- was murdered in the Berruecos jungle, Colombia. The inquiry into his death is reopened, Captain Alejandro Godoy take charge as prosecutor. Several political motives mean that the case must definitively be drawn to a close. Godoy discovers that a large part of the documentation produced during the original inquiry has been destroyed. With his own life in danger, Godoy discovers a highly intricate plot that put an end to Sucre's life.

Shortly after World War II, over 1,000 paintings were found in a cellar in southern France. The paintings were created by a young Jewish woman named Charlotte Salomon. She painted her turbulent life story in a unique creation called: ‘Life? Or Theater? – A Tri-Colored Operetta.’ Death and the Maiden unravels the story behind her creation.

Queen Elizabeth has worked with 14 Prime Ministers, including holding confidential weekly meetings. It is not known whether she has influenced her Prime Ministers, or what happens when they clash.