Einmal Hooligan - immer Hooligan?

Loitz is one of those former GDR towns that still suffer from the effects of German reunification. For a year "Infinite Place" looks behind the gray facade of the seemingly dying town and questions concepts of home and identity through the perspective of its old and new inhabitants. The town’s vacancy and people’s urge for self-realization create a fruitful look into the future.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

Documentary about the life in Berlin in 1941. The planned premier was stopped by the national party due to the damages and painful changes to the city that soon followed. It thus premiered in 1950.

Documentary about the social microcosm of Hasenheide, a 50 hectar green area in Berlin, located between Kreuzberg and Neukölln. In this park, you'll find old women with their dogs, young football players, Turks at the barbecue, as well as nudists. For the residents, Hasenheide is sports area, living room, pub and runway all at once. A refutation of the media panic surrounding the park as a place of drug dealing and violence.

Documentation on the Berlin S-Bahn, which threatened to fall into oblivion as a result of the division of the city.

Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

Documentary about the problem district of Gropiusstadt in Berlin.

Documentary short about the rebuilding of Berlin in 1946 from a Soviet perspective, showcasing the social changes that have taken place since the fall of Hitler and of Jews working side-by-side with non-Jewish counterparts.

Documentary short film about the afterlife of the remnants of the Berlin Wall.

The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.

A documentary that tries to explain the reason for the passion of the Mexican football fandom.

Something strange and unpredictable takes inthe mysteriously vacant rooms of Berlin’s infamous Techno club Berghain. A group of wild animals occupy the monumental spaces of the former power station. We explore the building together with the animals and experience its dimensions from a new, nonhuman perspective. The brutality of the industrial architecture is confronted with the beauty of these shy creatures.

When Dortmund is playing against Schalke, riots and brawls are destined to happen. The fans of both clubs are shown during soccer matches and asked where the abysmal hatred against the opposing club comes from.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

At the 2016 European Championships, violent clashes between Russian and English supporters in Marseille put the spotlight on Russian hooliganism. Russian hooligans injured over 100 English supporters, beating two into a coma, and it raised serious concerns ahead of Russia hosting the 2018 World Cup. Filmmaker Alex Stockley von Statzer travels to Russia to experience the country's football fan culture first hand. Featuring footage filmed in Marseille in 2016, rare interviews with members of some of the most feared firms like the Spartak Gladiators and Orel Butchers, and new footage of an organised fight for wannabe recruits, this show uncovers a world where brutal violence has become a mark of honour and a symbol of newly resurgent Russian masculinity.

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.