Heimatkunde

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

The documentary BERLINIZED describes this very Berlin-specific attitude in a reflection on and a journey to mid-1990s' Berlin. Filmmaker Lucian Busse, an active protagonist of the period, documents the transformation of Berlin after the Wall. But Berlinized represents more than just the 1990s - it is a metaphor for this virally catching creative feeling, the slightly rough directness, spiced up with a big dash of typical Berlin humor. Berlinized lets the former protagonists reflect how that temporary feeling of freedom shaped their individual lives, and to what degree that freedom can still be found among the neat order of today's Berlin. These reflections are as diverse as the interviewees and as multifaceted as the changes in those times.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

Ich will da sein - Jenny Gröllmann

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Marie, Arthur, Emine, and Christian are ten years old. They live in Berlin. Strolling through the city with them, we experience their freedom as well as first notions of opposition.

Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.

Climate justice! OHNE KEROSIN NACH BERLIN is a campaign by the Students for Future, which is part of the Fridays for Future movement. In 2020, 60 people loudly carried the climate protest by bicycle from Cologne to Berlin. This film emerged from the movement and shows the activists' experiences up close.

Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.

The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.

Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.

An independent record store owner and life-long Alice Cooper superfan convinces the original lineup of his favorite band to reunite at his store over forty years after they parted ways.

BERG investigates a historical site through an alternate shift between documentary and fictional representation. A soundscape produced from samples from a series of mainstream Spy Movies overlaps a selection of classic shots, inspired by the most repetitive cinematic clichés that are to be found in the espionage genre.

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.

Großes Kino made in DDR

In 1989, thirteen GDR scientists and technicians set off from East Berlin to the Georg Forster research station in the Antarctic. During their expedition the Berlin Wall fell on November 9th. Cut off from the images that go around the world, the men can only experience the historical events passively. When they returned in the spring of 1991, their homeland was a foreign country. The documentary reconstructs the thoughts and feelings of the East German researchers on the basis of eyewitness accounts, diary excerpts, letters, film material, grandiose landscape shots from the location of the action and unique photos to make the consequences of the events tens of thousands of kilometers away on the small GDR expedition in the middle of the eternal ice tangible.

In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.