Al pasar: Cartas desde el trópico

Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.

In order to wait for her lover Fan Chun-tak to finish his study in Australia, Tang Sau-man works as a governess in Chui Shek-wah's house. Chui is Fan's brother-in-law. Chui spoils his wife Fan Kam-ping. She becomes lazy and dependent on Tang. Fan finishes his study and returns. He decides to transform his elder sister. He asks her best friend, Pang Shui-ha, to persuade her. Pang has a crush on Fan. Pang uses this opportunity to get intimate with Fan. Tang originally thinks that after Fan comes back, she no longer has to live in somebody's shelter. But Fan spends all his time with Pang. Tang is unhappy and drinks to vent her unhappiness. Tang gets drunk and Chui takes care of her. However, Ping thinks that they have dubious relationship and throws Tang out. Tang falls down a slope and loses one leg. Fan is angry with himself and decides to marry Tang. Ping also realises that she is wrong. She decides to change her lazy character and takes care of the disabled Tang.

Christian, a young man from the city, travels to a town in Zaragoza, Spain of his recently-deceased father to throw his ashes and give a final farewell. He arrives to find the town abandoned years ago by everyone, leaving their houses to slowly crumble into memory, in search of better opportunities. Yet, one resident remains. An eccentric and wild man who has chosen to live alone in nature, to protect the remains of the village from the pillagers that often drive by in search of valuable artefacts. Their encounter will force Christian to confront his father's identity and perhaps finally understand why his father was the way he was.

Terry is a homeless drifter just trying to get by in a new city. But when his life is threatened, he attempts to escape with the help of Eva, a sex worker also on the run

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

In the summer of 1963, François Mitterrand was going through a deep existential crisis. His political career was at a standstill and, after 19 years of marriage, the couple had grown apart. It was at this point that François Mitterrand met the woman who was to give new meaning to his life. Anne Pingeot, aged 19, was to become the companion of a lifetime, a woman who would be with him throughout his rise to power and who would remain by his side until his last breath. For the first time, Anne Pingeot has agreed to allow the fragments of this passionate love story — hundreds of letters and a diary — to be shown on television, before being donated to the National Library.

After a mysterious stranger shows up at Gray's doorstep holding the corpse of a dead bird, an impromptu funeral changes the way Gray views herself and her lesbian identity.

A young Greek man goes to Paris seeking help from a solitary and almost misanthropic distant relative who works as a furrier. With him, he takes nothing from his homeland but a photograph of a woman that he finds on the pavement. A misunderstanding regarding the photograph sets off a series of dramatic misunderstandings which trap him in a vicious circle of lies and fantasies.

Anne'ye

Hate Mail is an epistolary play something like Love Letters, with two actors reading letters and other correspondence, but it's a little wilder and more hysterically funny. It tells the story of Preston, a spoiled rich kid who meets his match in Dahlia, an angst-filled artist. Their worlds collide when Preston sends a complaint letter that gets Dahlia fired from her job, and then there's no turning back. The play stays with their increasingly crazed correspondence as they move from hate to love, and then right back again.

Equal parts documentary, essay, and narrative,"Captain Elliot's Circle" is mostly a poetic interaction with an obscure corner of Chinese and British history. Constructed using primary source documents about the taking of Zhoushan, Britain's first choice for a seaport, in the late 1830s,this movie uses Captain Charles Elliot's reluctance to brutalize the Chinese to reflect on the cyclical nature of history and the power structures that move it. The long takes used throughout function to illustrate the dramatically different ways in which people who lived in the mid-19th century perceived time. Additionally, it represents the psychological effect of living on an island regardless of what era you were born in.The last third of the movie focuses on a young woman whose strange day job has taken her far away from the island of Zhoushan generations after Captain Charles Elliot was last there. "Captain Elliot's Circle" was shot on location in Zhoushan and Hangzhou.

A person living in Liberty City goes to work, have some food & gets back home.

Summer 2022, Damascus city, the fates of three People ( father, drunkard and a transport worker) intersect in one day due to a small incident, in which their plans and fates change, so all of them try's to survive their day with the least possible losses.

Continuing where 'Visions of Violence' left off...the filmmaker continues his video diary. Chock full of outrageous antics: from having fun at work to parties with girls, this time the filmmaker might have gone too far.

In the near future, the world seems to function in an efficient and controlled way...

Ilyas and Brahim work at a television repair shop. When the end of the day arrives, his boss sends them to bring a television to a costumer on the other side of Barcelona, hours before the much-anticipated FC Barcelona's UEFA Champions League final, endangering their friendship and their job in order to get to see the game.

Filmed over five years across varied sites, Devereaux gives quiet attention to the shifting sensations of place. From rain and snow to beaches, mountains, and city streets, the film traces environments in contrast: rural and urban, water and land, summer and winter. These images, held in long takes, resist narrative flow, instead assembling a meditation on how landscapes provoke moods, memories, and ideas.

Shot in downtown Minneapolis, Rush Light assembles a rapid montage of fleeting street compositions. Through quick cuts and sudden shifts, Devereaux creates a collage of ready-made visual moments—buildings, signs, shadows, and chance alignments glimpsed in passing. The film operates as both a study of three-dimensional space and a meditation on the eye’s ability to seize upon images in a split second. Color, light, and shadow flicker across the frame, transforming the city into a shifting field of accidental design.

Little Fatmir, whose parents have worked in a construction site, dreams of building himself a town. In his efforts to make his dream a reality, the kindergarten teacher and a workman who brings in working tools for all his friends, assist him. Within the courtyard of a kindergarten, the newest town in the world is thus erected, where children's dreams and characters are revealed.

When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.