Falsos Positivos

Ingrid Betancourt was the world’s most famous hostage. On February 23rd 2002, Ingrid, a presidential candidate in Columbia’s elections, was kidnapped by the left-wing FARC rebel group along with her assistant and friend Clara Rojas. She was held for over six years in the jungle. This is the first documentary account of what happened in the jungle in her words and those of fellow hostages. In a truly remarkable interview Ingrid relives stories of escape and betrayal, love and hate, terror and extraodinary courage.

Camila lives her last days in the jungle as a guerrilla of the FARC-EP at the crossroads between an uncertain future of peace and the lingering memory of a childhood severely punished. Sent to a war hospital in the middle of the jungle, Camila begins a journey into her past, to the depths of an old wound that needs to be healed. A journey that ends up leading her to an unexpected reunion with her friend Ricardo, a young guerrilla recently amputated due to a mine.

A sampler of the lives, places, and events which make up present-day Colombia, South America. Provides insights into the look and feel of Colombia, as well as Latin America as a whole.

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Oscar

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

The anecdotes lived with Pimpi conclude in a tragic experience for his family. The story takes place in a small town in the middle of the Colombian Pacific jungle. Past and present mix to form a story where the town and its inhabitants are witnesses of the struggle of black people.

In 1998, the President of Colombia dared to demilitarise a zone to carry out peace negotiations with the FARC-EP guerrilla group, but chaos erupted. A pivotal 2000 attack shifted the tide. Crafted solely from news archives, this film presents the atrocious event that changed the country's destiny.

In her search for job opportunities, Marley, a Sitionuevera mother, moves to Barranquilla, leaving her children in the care of her mother, Claudia in the municipality of Sitionuevo. As the community embraces traditional life, Marley yearns for a different future, triggering a generational conflict between deep roots and aspirations for change, but ultimately being a story of the power of love.

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Documentary about the dialogues of the Mesa de Paz de La Habana between the Colombian insurgent forces - FARC-EP - and the Colombian government, during the year 2014.

Lengua de diamante submerges into the past, present, and future life of Elsa Riveros, Colombia’s First Lady of Rock. Long after her iconic career as a fierce 80s rock singer, Elsa now seeks to reinvent herself as a political painter in northern Virginia, where she raises her son.

Dejen quieta la Iguana

Desprendimiento de ano

Copa Libertadores, 1989. A true story about football, corruption and the power of Pablo Escobar and his cartel, told by its protagonists: five referees who resisted the dramatic weight of an era.

Naturalist, Alex Valdez, and a team of young documentary filmmakers will take us on an adventure to discover an unknown ecological sanctuary deep in the jungles of Colombia, where an anonymous conservationist, who goes simply by the name Jorge, is replanting a rain forest from a deforested piece of land and creating a home for a variety of endangered animals. This film is the first step in our mission to showcase the hundreds of unknown conservationists around the globe and inspire a whole generation to believe in the power of one.

Tells the story of the famous Millonarios, one of the most awarded football teams in Colombia, which, as it was stated by the press, rivals and football leagues, between 1949 and 1953, it was the best team in the world. The documentary film, which some might say, one of the most important sports film pieces in Colombia, involves the stories of fans, members, ex-players, managers, chairmen and great journalists from the world of football, telling how this team revolutionized and changed the history of Colombian football forever.

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.