Mi pesadilla fue que me mataba la guerrilla

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Just after recovering from losing his entire unit in battle, Sgt. Rock leads a special army of commandos against a Nazi secret research base.

Jess joins her friends at a party in a dilapidated mansion hosted by the mysterious Seth. When odd things begin to happen to Jess and her friends, the Phantom Stranger intervenes to save her from a dreary fate.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

'Manhunt' is a dark, surrealistic revenge fantasy of animals on humans for the mess they have made. The core idea for this short film is to switch the roles of humans and animals, hunters hunted, to show how the world could be like from the animals' perspectives, and to put us humans in their shoes.

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Experimental Documentary on Sound & Cannabis

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

It's girls night out as a group of friends go out on a bar crawl. That is, until things get a little crazy halfway through the night.

Four young adults venture to a remote location in the high desert of California and are mysteriously preyed upon.

2 Groups battle each other in a Tire War.

An overview of the best methods and techniques for taking nude photographs.

'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

The 16th short film as part of the Magica series dealing with pre-cinema. Mr Seymour, the hero of the book by London doctor Mr Paris, shows his invention – the thaumatrope – to a little girl and explains how it works. The superimposition of the images is not perfect, so he invents the use of elastic instead of the usual string. Only by recording the two successive images of the thaumatrope on a title bench can they be viewed perfectly. Numerous examples are shown.

A young man finds himself tied up in a basement after an awful accident. The horror will continue until he finishes singing this song - "99 bottles of beer on the wall, 99 bottles of beer. Take one down, pass it around, 98 bottles of beer on the wall. 98 bottles of beer on the wall, 98 bottles of beer. Take one down, pass it around, 97 bottles of beer on the wall - ...No more bottles of beer on the wall, no more bottles of beer. Go to the store and buy some more, 99 bottles of beer on the wall..."

When photographer Layla is haunted by dreams about a mysterious model, she seeks the help of Dr De Palma, who prescribes some very powerful medication, and her dreams become reality.

The story of an energetic Russian woman, Tamara Fedorovna who moved to Leninabad in the 1950s and, as a pensioner, became a trainer for a men’s soccer team and performed in the local amateur theater. Then, after three or four years, thousands of Russians would have to leave Tajikistan as would Tamara.