Mi pesadilla fue que me mataba la guerrilla

Four boyhood pals perform a heroic act and are changed by the powers they gain in return. Years later, on a hunting trip in the Maine woods, they're overtaken by a vicious blizzard that harbors an ominous presence. Challenged to stop an alien force, the friends must first prevent the slaughter of innocent civilians by a military vigilante ... and then overcome a threat to the bond that unites the four of them.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

A journey through C.S. Lewis’ early life and his dramatic conversion story about his inner conflict.

Amy, the young, friendless daughter of Oliver and Alice Reed, befriends her father's late first wife and an aging, reclusive actress.

Desperate for a job to help him support his family, Jim Norman takes a position teaching high school in the town where his brother was murdered in front of him by teenage bullies twenty-seven years before. The teens who committed the crime are long dead, but now the kids in Jim's new class keep dying and being replaced by new students who look like the deceased hoodlums.

A story about children and adults who migrated from eastern Ukraine because of the war and found themselves far from home in a hostel for displaced people. This is a film about the everyday life and pain of refugees, about the search for small details that give strength to live and about adults who are tired of war. It is a self-reflection of refugees who believe that they will soon return home, without a clear understanding of when this will be possible and what awaits them there.

Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.

A couple unable to naturally conceive recruit a young woman to act as their surrogate. She falls pregnant with their baby and moves into their home. But sweet Jennifer has a secret, and she soon traps the couple in a terrifying hell with little chance of escape.

A young girl lost in the loneliness and boredom of reality finds solace in an ill boy, whom she can visit in a surreal dream world that she drew in her school composition book.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

The whimsical and joyous parade of ridiculous events satirize the war that rages in Colombia right now and exposes the real spirit of those who inhabit such a beautiful country.

The story of legendary Colombian actor Hernando "El Culebro" Casanova, told by his youngest son Nicolás Casanova, featuring unseen archival footage and unheard tracks.

Between parental love, youth welfare offices and bureaucracy, three educators try their hardest to create a temporary home for children. This is not always easy, as the most diverse personalities and their stories clash here. And yet the residential group becomes a kind of surrogate family for the children. At the back of their minds, however, is always the question: for how long?

A harsh and dreamy story of a young girl from the American West and her longing heart. Through Betty we experience a tight family clan of children born by children born by children where love and dependency go hand in hand.

Estimados Señores sheds light on the little-known suffragette movement in Colombia. Set in 1954, the film follows Esmeralda Arboleda, a fiercely intelligent leader, who ignites a revolution in a society rooted in patriarchal traditions, culminating in a fierce and decisive debate. A group of women embark on a historic struggle to bring women's voting rights to the National Constituent Assembly. With bold marches, radio appearances and a brilliant media strategy that places them on the front page, they achieve their goal, but the real challenge begins in the debate, where they face fierce opposition. Esmeralda Arboleda must endure personal attacks from the assembly members, and just as she is about to speak, she receives a heartbreaking call: her son has suffered a serious accident. She is torn between her duty as a mother and her commitment to the cause, with an unfavorable outcome.

As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Noah Holiday lives his life being constantly reminded of a tragic event that occurred while he was a baby in 2004. During his rough times alone, Noah rediscovers his long lost childhood teddy bear; however, what once brought him great joy now has a mind of his own and has sinister plans in store for him.

La Salsa Vive is a vibrant cinematic exploration of Afro-Cuban music's history, tracing its roots from New York's lively streets to Cali, Colombia, now the global salsa capital.

Tells the story of five people from the last generation of Soviet children who were brought up behind the Iron Curtain. Just coming of age when the USSR collapsed, they witnessed the world of their childhood crumble and change beyond recognition. Through the lives of these former schoolmates, this intimate film reveals how they have adjusted to their post-Soviet reality in today's Moscow.