An Ordinary Texas Homicide

'JFK: Seven Days That Made a President' investigates the seven key days in JFK's life that helped shape his character and have come to define him.

Investigative reporter Jack Anderson hosts a two-hour investigation of the Kennedy Assassination featuring interviews with experts, eyewitnesses, government officials and authors. Includes dramatic recreations of key events.

An experimental short where a character sends a series of progressively desperate emails asking for a job.

The doctor who tried to save him. The Secret Service agent who was seconds too late. The man wrongly accused of his murder. And the woman who unwittingly sheltered an assassin. The death of JFK has inspired thousands of books and debates over the last 50 years, but the stories of the people there on that day have gone largely untold...until now. Experience November 22, 1963 as it has never been presented before, in this minute-by-minute account of that day, narrated by Academy Award-winner Kevin Spacey, and brought to life through rarely seen footage and rarely heard testimonies.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Produced by multiple EMMY® Award-winning executive producers Tom Hanks and Gary Goetzman (HBO’s John Adams and The Pacific), and EMMY® Award-winning producer Mark Herzog (History’s Gettysburg) of Herzog & Company (HCO), on Thursday, Nov. 14, CNN will premiere The Assassination of President Kennedy at 9:00pm ET and PT. The two-hour film explores the events on the day that changed the nation – and the world, as well as how the public’s perceptions of what happened that day have changed through the years.

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

A look back at the 1000 days of the John F. Kennedy presidency.

An overview of John F. Kennedy's political career. Preserved by the Academy Film Archive, in partnership with Warner Bros. Entertainment Inc., in 2014.

This French-Canadian co-production goes behind the scenes of the huge tobacco industry, whose economic power has been expanding for five decades at the expense of public health. A gripping investigation covering three continents, Nadia Collot's film exposes the vast conspiracy of a criminally negligent industry that conquers new markets through corruption and manipulation. To confront the tobacco cartel, anti-smoking groups are organizing and scoring points, but the fight remains fierce. With ist diverse viewpoints, shocking interviews and riveting images, The Tobacco Conspiracy deftly defines the issues in a complex situation where private interests and the public good collide. Enlightening and engrossing, this documentary is a hard-hitting critique of an industry gone mad.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

The assassination of President John F. Kennedy in Dallas on November 22, 1963 left a psychic wound on America that is with us still today. Few Americans then or now accept that a lone, inconsequential gunman could bring down a president and alter history. In that breach, a culture of conspiracy has arisen that points to sinister forces at work in the shadows. Drawing upon rarely seen archival footage and interviews with key participants, Oswald's Ghost takes a fresh look at Kennedy's assassination, the public's reaction to the tragedy, and the government investigations that instead of calming fears lead to a widespread loss of trust in the institutions that govern our society.

In this seven-hour presentation to 2,500 people at the Brixton Academy in London, David addresses all these questions and connects the dots between them to reveal a picture of life on earth that is truly beyond the cutting edge.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

They are around us. Everywhere. People talk about it, movies and TV shows talk about it, but what are UFOs? What do they want? And the most important question: what do they do in our daily life?