From a distant time.

A look into modern society, sex work, and faith in America.

poem. trees. fragments. fritz. movement.

The work of taxonomists hides more secrets than can be perceived.

the franklinia flower, now extinct in the wild, appears here as a printed image (a drawing from 1782) pinned against a kitchen wall. hand and figure move disjointedly. the light of day gives way to electricity, to darkness, and to morning. recorded on a video camera built in 2002: an obsolete image tracing some accidental gestures and capturing a form of life existent only in cultivation. some fragments of vermeer, general electric, and chiquita brands international.

Bradley Eros is at the forefront of the NYC underground and experimental cinema movement, blending the boundaries of experimental film, expanded cinema, and performance art. Whether it be by himself or through one of his many collaborative groups, Eros reutilizes the visual language we all know in a sensory engaging and thought provoking way. Experience Eros and the Optipus Group collaborate on a piece that celebrates the life and death of celluloid.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Take a look behind the curtain to see the vast history and recent renovation of one of Rochester, New York's most famous landmarks. Architects, theater personnel, historians, community leaders, and citizens provide in depth insight from start to finish in one of the most extensive renovations the city has ever seen.

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

A good feast in the countryside.

Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memories that have been tainted by earworms, bad comedy and the far-right pipeline. Gaze upon the endless landscape, or gaze upon the endless thirst traps.

A woman attends a party where she is observed by and finally meets a mysterious guest.

What is the common thread among the only four U.S. Presidents who have been assassinated - Lincoln, Garfield, McKinley, and Kennedy? They were also the only four presidents to ever to take away money-issuing control from the private banks and turn it over to the U.S. Treasury. Within less than a year of each president doing so, they were murdered. And within months of their vice president successors assuming their offices, they returned the money issuing power back to the private banks. 4 PRESIDENTS provides the first-ever in depth analysis of this very likely - and very frightening - historic conspiracy.

Life Under the Horseshoe is a fun, entertaining and historical look at Spring City, Utah's only live FM stage radio show. The film teaches us a little about history while taking us back to the golden age of radio. The documentary interviews Mark and Vicki Allen, the show hosts while learning more about their interesting, but opposite family history. The film also highlights the historical Victory Hall, a one-hundred-year-old restored vaudeville theater on Main Street, and "Spit & Whittle" Avenue, where Charlie (1885-1936), son of Simon Beck, had a bench the women of the town called the "Bummer's Bench." The men claimed it was where important community events were discussed and decisions made. Simon's son Charlie, paralyzed at an early age, presided at the bench providing advice and wisdom to all comers.

C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Watch out Earth.

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

Make your adjustments.

Ma bande magnétique arrière

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?