Weeknights

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Five months after the maternal death of his partner, a man is at a crossroads with how to raise their baby.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A man obsessed with motivational and right wing culture war videos goes on a hollow road trip of discovery.

A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.

Felipe Rey is over 40 years old and still lives with his mother, Nora. The strange bond between mother and son will be tested as soon as Felipe invites Lucy, a janitor from his work, over for dinner.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.

Jean Bonnard, clean-cut industrialist and the only son of a widow, goes to visit his mother in the small village where she lives. However, early in the morning the police arrive to arrest him, accusing the man of having murdered the old banker who'd made advances towards his girlfriend. Jean's mother is eager to aid her son, whom she believes is innocent. Said Epstein of his film: "I shot small landscapes in Livilliers which seemed to me-- in their reality, I mean-- very large".

A quiet killer is looking for a room. The real state agent, shy and expressionless, guides him through Tokyo, towards the ruins the decadent economy has left behind, in hopes of finding The Room.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

The short film captures the memory of an apartment and its surroundings: a young adult man lives his daily life, a journalist interviews a retired novelist who grapples with the idea of the end of the world, and two young boys searching for portals. Three storylines intertwine as the film progresses.

A monumental windstorm and an abused horse's refusal to work or eat signal the beginning of the end for a poor farmer and his daughter.

"After a freak accident leaves him deaf, a young man enters therapy, only to discover that losing his hearing has granted him a deeper understanding of his fractured family and inner turmoil. ግብረ ጉንዳን/Gbre gundan is a psychological drama that blurs the line between perception and reality, questioning whether true healing comes from what we hear or what we choose to ignore."

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

Alberto is dead and can no longer hide it. Make-up and perfume can no longer conceal his quickly decomposing body. Dismayed, he decides to withdraw from the world, whilst forming an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard.

A person attempts to rid their apartment of cat urine smell.