Katzen im Haus

Working with Luigo Fulci and making 'Touch of Death'.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A view of Sydney Harbour. Australia's feathered icon laughs the bridge into animation. The bridge dances to a rhythm created by the hype which sails beneath it. A parody of a view which people pay millions to be near.

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

Deep in the forest of Overland Park, Kansas little gnomes made a home. But how did they get there? Experience the feel-good story of paying it forward, one tiny magical house at a time.

A collective effort about the recent history of Spain. A distorting mirror, a radiography, a rotten but exquisite corpse: the blood, the sweat, the dandruff of a country in the shape of a large and extended bull skin. A parade of freaks. The ridiculous independence of the upstairs neighbor, the sovereignty demanded by an insane parrot prisoner in its open cage. Football, potato omelette, kings and safaris. Things not to do again. Guerrilla cinema. Hysteria of Spain.

Good morning, Bear River High School. This documentary is made up entirely of high school morning announcement broadcasts from the 1990s.

Investigating autumn, temporal alterations, and their effect on movement

Tenório

In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.

In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

Narrates in a poetic way the mystical connection that exists between the inhabitants of the pueblan Mixteca and water.

A tour of the canyons of the Teolocholco community through the memories of the elderly.

Don Andrés has dedicated most of his life to the creation of paintings with seeds, a craft considered intangible cultural heritage of Tlaxcala.

A cinematic haiku by Chris Marker.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.

A cinematic haiku by Chris Marker.