Bully Boy

Osudy dobrého vojáka Švejka – Švejkova budějovická anabase

Osudy dobrého vojáka Švejka – Švejkovy nehody ve vlaku

Osudy dobrého vojáka Švejka – Z Hatvanu na hranice Haliče

Porky tries to feed his chickens, but some ducks steal the corn he puts out, then declare war. The battle rages, with the ducks against the chickens, sometimes in wing-to-wing combat, but also aerial attacks, and Porky finally turning the tide with his machine gun improvised from a wringer washer and a bag of corn. But the ducks still get the last laugh.

A Martian explorer discovers the secrets behind the USA's prosperity — oil and free enterprise.

Short US propaganda cartoon.

This short animated film is about Wop May, one of Canada's leading bush pilots in the 1920s.

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

The night before the offensive, a soldier hides in the bottom of an underground. Outside, the war shakes the ground and the man prepares himself with the inescapable... In this stop motion animated film, the bodies of the soldiers become again matter, alloy of earth and steel, curdled in death for eternity.

The true story of the most decorated dog in American military history -- Sgt. Stubby -- and the enduring bonds he forged with his brothers-in-arms in the trenches of World War I.

The story of one shepherd's single-handed quest to re-forest a desolate valley in the foothills of the French Alps throughout the first half of the 20th century.

A young boy in a sailor suit plays with three dolls, representing German soldiers. He slowly nods off and in his dreams they come alive.

A propaganda film during World War II about a boy who grows up to become a Nazi soldier.

Adapting Jaroslav Hasek's raucous satirical novel, and also bringing Josef Lada's equally famous illustrations to garrulous puppet life, posed Trnka one of his biggest creative challenges. Trnka himself felt that the final episode was the most artistically successful, but there's much to enjoy in all three, not least the way that the lackadaisical layabout Svejk's own self-serving anecdotes are realized through cut-out animation.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

Biplane battles over France in World War I between Bugs and Baron (Yosemite) Sam Von Shamm.

Once upon a time there lived a journalist. Eager to spark interest in his boss’s newspaper, he published news of a colourful bird, more like a parrot than a chicken, less like an ostrich than a swan. No one could work out the origin of this strange bird and a web of sensational stories soon spun, but it burst the moment it came out that the witty journalist repainted an ordinary duck. From that moment on every lie journalists tell is called a ‘canard’. Our film leads directly to the nest of one such duck, in Bucharest, where the inform-propaganda spin doctor Pavel Judin, instructed by wise managerial orders and Moscow, overblows this featherless bird to the pleasure of ones and the derision of others.

This is a unique film in Disney Production's history. This film is essentially a propaganda film selling Major Alexander de Seversky's theories about the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film switches to the Major illustrating his ideas could win the war for the allies.

After a hard day at work, Mr. Prokouk decides to invent a machine to ease his labor. But inventing is work too, and Mr. Prokouk spends more time dreaming about inventions than actually inventing anything. Can he find an easy solution?

In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.