Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.
Sanning/Lögn
Yvonne loses her mind and confuses her teenage granddaughter, Manon, with her deceased daughter. Manon plays the role of the mother she never knew, reviving her grandmother's years of feminist activism. In this troubled game, Manon will learn to become a woman.
Tuku is all set to get married. But being a bride is not a child’s play, for she doesn’t know how to make tea. Or to knit a sweater even. Will she be able to knit a sweater? Because if she does, she might get hitched.
A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.
In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.
On a bet with one of his practical-joking partners, a Los Angeles lawyer responds to an ad from a pretty Chicago magazine writer offering herself as a bridal candidate as an investigative reporting assignment, and then makes another bet that he can keep the relationship platonic for two weeks.
A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
Jones' inner demons threaten to take over her life unless she outruns the voices in her head and the ticking of time.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.
Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the "Dark Ones" from destroying all life in the universe.
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
Cover Up