Travail forcé, le SOS d'un prisonnier chinois

After two months of a hard-fought strike, accompanied by a day-and-night occupation of the premises, Jeune Afrique's workers were the victims of a court order authorizing their CEO, Bechir Ben Yahmed, to have them removed by the police. If they resisted, they risked falling foul of the law against rioters. To avoid the African comrades being deported from France, the strikers decided to leave. But before leaving, they organized a demonstration of solidarity with hundreds of journalists from the traditional and revolutionary press.

Les arpenteurs de l'espace

Les fils de la terre

In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.

The lives of a lawyer, an actuary, a housecleaner, a professor, and the people around them intersect as they ponder order and happiness in the face of life's cold unpredictability.

De Chantal Goya à Bernard Minet : Que sont devenues les stars de notre enfance ?

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

This is the story of a team of 40 agents facing 4,000 job seekers at a job centre in the Parisian suburbs. Samia, Corinne, Thierry, Zuleika must support and monitor, bring in the numbers, obey policy guidelines and communication injunctions, and find job offers while none is to be found. Will their strong sense of humor save them from the Kafkaian world they work in?

In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

"The future you live in" is a short social commentary film created during my studies in the University of Plymouth in 2024. This is my view at the current state of the world, at what it was and is today.

Do you have to be miserable to be funny? More than sixty comedians—including stand-ups, writers, actors, and directors from the US, Canada, and abroad—take on this question, sharing anecdotes and insights with lively enthusiasm.

Two friends turn on each other after discovering a rare artefact beneath a sacred shrine, and must hone their respective skills if they are to fight one another to the death in hopes of claiming it.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

L'Amour vache

Magical, autonomous, all-powerful… Artificial intelligences feed our dreams as well as our nightmares. But while tech giants promise the advent of a new humanity, the reality of their production remains totally hidden. While data centers are concreting landscapes and drying up rivers, millions of workers around the world are preparing the billions of data that will feed the voracious algorithms of Big Tech, at the cost of their mental and emotional health. They are hidden in the belly of AI. Could they be the collateral damage of the ideology of “Longtermism” that has been brewing in Silicon Valley for several years?

Today, against a backdrop of sharply increasing demand, growth in the world population and the growing impact of an unsettled climate, water has become one of the most precious natural resources of our planet.

Women workers stand up to the toxic flower industry in Colombia.