Do you have to be miserable to be funny? More than sixty comedians—including stand-ups, writers, actors, and directors from the US, Canada, and abroad—take on this question, sharing anecdotes and insights with lively enthusiasm.
Women workers stand up to the toxic flower industry in Colombia.
Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.
In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.
A Mauritanian worker, Sidi, works in France. Like most immigrant workers, he is employed to do the most difficult and dangerous jobs. Sidi and his comrades are exploited systematically and permanently, as much by their employers as by their own countrymen who are constantly able to offer false working papers, slums where immigrants buy at high cost their right to sleep. But faced with racism and economic exploitation, immigrant workers communicate, organise...
In Buenos Aires a group of acclaimed dancers create the first Contemporary National Company of Dance under their collective leadership. This is the story of four talented dancers, Ernesto, Bettina, Victoria and Pablo, along six years of their journey. We follow their lives, we attend their rehearsals and performances in the emblematic building of the National Library, along with their premiere and backstage in the historical National Theatre of Cervantes. They expose their dreams as dancers, individuals and members of our society, as we observe the fulfilment of their biggest dream: the demand of a National Dance Law. Amazing choreographies, beautiful folklore songs and original Latin-American contemporary music reveal the beauty of dance becoming life.
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
In barely a century, French peasants have seen their world profoundly turned upside down. While they once made up the vast majority of the country, today they are only a tiny minority and are faced with an immense challenge: to continue to feed France. From the figure of the simple tenant farmer described by Emile Guillaumin at the beginning of the 20th century to the heavy toll paid by peasants during the Great War, from the beginnings of mechanization in the inter-war period to the ambivalent figure of the peasant under the Occupation, From the unbridled race to industrialization in post-war France to the realization that it is now necessary to rethink the agricultural model and invent the agriculture of tomorrow, the film looks back at the long march of French peasants.
When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975, they brought their country to its knees and catapulted Iceland to the forefront of today's global fight for gender equality. Unexpectedly funny, laced with evocative animation and powerfully told by the women who lived it – this is the true story of 12 hours that launched a revolution.
1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.
‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.
Four women farmers working in the Champagne-Ardennes region talk about their working conditions, the part they play in running the farm, the distribution of jobs between husband and wife and the lack of status of their work... They emphasise how denial of the essential role they play in running the farm has led them to demand specific recognition of their job. Presentation of the Women's Association for Agricultural Development (AFDA).
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
'Stand together!', a film on the "mass day of solidarity" on 11 July 1977, was made in 1977 for the Grunwick Strike Committee by the Newsreel Collective, of which Chris Thomas was a member, and members of the Association of Cinematograph, Television and Allied Technicians (ACTT) and the Transport and General Workers' Union.
When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
The Indonesian archipelago in the Indo-Pacific Ocean comprises thousands of islands, atolls and the largest concentration of coral reefs in the world. This rich and varied environment is a product of a unique set of natural circumstances.
Tokyo work culture's most compelling and complex protagonist; the Salaryman. A nameless, voiceless, over-worked and under-valued cog in the labour pool, expected to compromise home and social lives. Late nights and intense drinking sessions leave many of them passed out in the city streets. This slick, incisive documentary raises questions around the ethics of our global working practices in a capitalist society.