Eme (o dos historias sobre [cómo] soltar)

A microscopic view into American youth in suburbia through the eyes of Robert, a young man who becomes fixated on his own identity after moving back to his small Texas town.

A girl trapped in a time loop leaves an AI replica to relive her final days. Glitches and burned-in subtitles reveal the machine’s fractured view, until the loop shifts to the real her — blurring the line between memory, code, and consciousness. "Told from the memory stream of a trapped A.I., the film visually glitches as it attempts to 'escape,' including encoded flashes of an 'ESC' key."

Ramsés begins to experience disturbing changes in his body and mind, unsettling shifts that disrupt his daily life. Soon he realizes he is no longer alone in his own skin: the demon Asmodeus has taken control. Under this possession, Ramsés is driven into a spiral of desire and violence, seeking out both men and women to consume through blood and sex, feeding the darkest temptations of the demon within. As reality and delusion blur, Ramsés struggles to hold onto what remains of his humanity while Asmodeus leads him ever deeper into a world of lust, horror, and destruction.

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

A director attempting to create an unconditionally truthful film becomes obsessed with the topic of death. In an intrusive way he relentlessly pushes dark scenarios of death aimed at his portraitures, creating a tension ridden and emotional set, blurring the lines of experimental docu-fiction drama.

Núbia

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

A man is tormented by the devastating loss of his pregnant beloved, whose presence lingers everywhere, haunting him relentlessly. Reality and memory intertwine, shattering his mind and plunging him into an endless abyss of isolation and sorrow

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Since the sudden death of her best friend, something extraordinary happens: at noon her best friend returns as a ghost that only she can see. In these ephemeral moments they revive their shared memories.

A couple, about whom nothing is known, finds itself forced to live in the abyss of the end of time-a time when a mysterious fog encompassed all our societal and moral achievements with unequivocal cruelty.

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

A bartender takes on the physical form of her imagined alter egos.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.